Friday, April 28, 2023

Planeta Imaginario ~ Spain


Biomasa (2008)

This is an album I've gone back and forth on, but I'm firmly in the pro camp now. 

When reviewing their debut (see below), I think that's where the breakdown on Biomasa occurs. This really isn't a Canterbury album. Gone are those warm melodies and insouciant touches. In its place is a more cerebral jazz rock, more dissonant but creative. It is interesting that if you put on a prog rock hat and listen to an album that is jazz, it doesn't sound so great. Switch to a jazz hat, and a different perspective reveals itself. The hype strip doesn't help much either, also indicating an "attractive Mediterranean sound" while listing National Health as but one Canterbury reference. Naw, none of that here. It's much more "rock jazz" if that makes sense. Favorite track is 'La Caja Negra'. An excellent album that takes multiple spins to penetrate.

Ownership: 2008 Cuneiform (CD) 

2008 (acquired); 7/13/22; 4/28/23 (review)


¿Qué Me Dices? (2004)

Out of nowhere in 2004, arrived Planeta Imaginario, a band who seemed to not be aware of the last 25 years of music before entering the studio. Lucky us. Sounding every bit like a second generation Canterbury band from the late 1970s, Planeta Imaginario absorbed and filtered the best parts out of Soft Machine and Nucleus. The eight piece band - including two sax players, trumpet, trombone, Hammond Organ, Rhodes electric piano, and the usual rock band plus guests on flute and percussion - created a most beautiful album from a most beautiful form of melodic jazz rock (Canterbury). And the amplified guitar recalls the greats from the 70s past. I also love the horn charts, well composed and played. It's hard not to think of National Health while listening to this fine debut. Spain had no Canterbury tradition prior to this album, and Planeta Imaginario more or less imported it for the first time (and followed also later by the great Amoeba Split). A superb album, that still sadly appears to be off everyone's radar. Let's see if we can get it a bit of recognition anyway. The band later signed to the prominent Cuneiform label where presumably more fans migrated their way. 

Ownership: 2004 Margen (CD)

2008 (acquired); 1/4/16 (review)

I also own and need to review Optical Delusions.

1/4/16 (new entry)

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