Silver Convention - Save Me. 1975 Germany

One of my favorite music trivia tidbits is that the leader and founder of Silver Convention was a gentleman named Sylvester Levay. What was he doing 4 years prior? He happened to be a member of one of the more underground Krautrock bands of 1971: Vita Nova. Clearly an enlightened businessman, he traded art for jack. One cannot blame him for this...

I was all of 10 when 'Fly Robin Fly' was a hit. I was just beginning my foray into music, and of course AM radio was my entrance point. Honestly, it was one of my favorites at the time, perhaps only bested by The Bee Gees 'Nights On Broadway'. And listening to this album again, the song certainly is quite good. Repetitive yes, but still satisfying.

The liner notes on the back of the US release states more or less that Silver Convention represents a new generation of artists looking to break from what is perceived as "German" music. Whether they were referring to Faust or schlager music, I cannot say. One presumes the latter...

The music itself is a kind of classy disco, with orchestral strings raising up in constant dynamic shift as the steady disco beat carries on. The trio of gals provide the sultry sounds of the oncoming pervasion (double entendre word of the day) that was to come via the Studio 54 set. 'Save Me', however, makes one want to roller skate (note: skate) along the Santa Monica beach, hoping to meet girls that look like... well, the Silver Convention I would imagine.

The covers are of the US version, which sports different art work. The German original also contains a nude lady poster, similar to a Playboy shot. That would not happen in 1975 America, no sirree.

Group 1850 - Polyandri. 1975 Netherlands

One would expect that after 5 years on from Paradise Now, a band would have changed directions radically. Especially in an era when musical trends changed with the seasons. Perhaps a fusion album? Hard rock maybe? Pop? But not Group 1850. Still going after it with their unique brand of psychedelic progressive music. In fact, Polyandri is more refined and varied while still being a primarily instrumental album . This album features an array of sounds from complex progressive rock compositions to simple bluesy workouts and onto trippy psych organ based excursions similar to their first 2 LP's. Wonderfully out of touch for 1974!

LP: 1975 Rubber
CD: 2019 Pseudonym (as part of an 8 CD box set called Purple Sky)
CD: 2017 Universal (as part of the 2 CD set called The Golden Years of Dutch Pop Music)

The LP comes in a folder cover. To talk about the date: There's no date anywhere on the LP except a mention in the insert of a recording time of January, 1974. By deduction, one could conclude this was released in 1974. However, the Purple Sky Box states: (legal troubles with the studio) "...Eventually some kind of settlement was reached and the album was released in November 1975 on Rubber Records, a label formed by Sjardin with a couple of business partners." This would explain the large gap in time. And settles the matter unless other data emerges to the contrary.

The Twilight Tone bootleg is a disaster, and the 2017 Universal version is considerably better, but still obviously taken from vinyl. Same can be said for the Pseudonym reissue, except the sound is the best I've heard outside of the original LP of course.

Originally published December 26, 2017 and moved forward with new notes from last listen.

Synthesis (73) ~ France

Synthesis (1973)

Synthesis (not related to any other French bands named Synthesis) fit squarely in the traditional horn rock genre, similar to many of the US / UK bands of the era. I'd say Synthesis tracks closest to classic early Chicago, and that's a good thing in my book. With song titles like 'Dilemma of My Life', 'Walkin' In the Hell', 'Insanity', 'My Obsession', and the three part closer 'Symphony for a Stranger', I think it's safe to assume that Synthesis weren't aiming for the bubblegum hit parade. The songwriting is top notch, the horn charts are exhilarating, the guitar is fuzz laden / psychedelic, and the energy level is high. And the album gets freakier as it goes, and I've said this a few times before, that's always a hallmark of a great album. As if they said, "Oh screw it, no one will buy this, so let's just GO FOR IT!". Yea, baby. A bit late in the game for this type of sound but a must for fans of horn rock.

Ownership: 1973 Fabulous (LP). Gatefold.

Not reissued as of 3/12/25

8/4/19 (update / new entry)

Led Zeppelin - Physical Graffiti. 1975 England

I don't think we'll ever see the kind of popularity bands achieved in the 1970s. And Led Zeppelin were at the top of that stack. Too many dynamics, parameters, and options for today's youth to engage like they did back then. Music was often the only game in town, and groups like Led Zeppelin were the megastars of the moment, to never really be surpassed. Even today, we see the bands from the 70s go out up in wheelchairs or stooped over on a cane - and play to a packed arena filled with crowds that look just like them - while bringing their kids and grandkids along for the ride.

1975 was arguably Zeppelin's peak year in terms of popularity. And Physical Graffiti was their grand excess statement. I've been long skeptical of the quality of this double LP set, but in retrospect the band is to be admired for mostly sticking to their patented heavy blues rock sound of the late 60s. Album #1 is exemplary whereas Album #2 admittedly has many holes, but even still at least 4 excellent songs can be found. And 'Kashmir' is a track for the ages, brilliant in every way. Surprisingly not a bloated album, as it might seem on first inspection.

LP: 1975 Swan Song (USA)
CD: 2008 Swan Song (Japan)

A good candidate for the Japanese mini-LP format given the multiple gimmix cover options. My original copy was likely a beat original found in some dusty used store during college, long sold off. Classic Zeppelin shows up in garage sales all the time, only a matter of time before I pick up a nice copy of this as well for all of $2. And if not, no biggee. Need the shelf space.

October 19, 2019 update: And, well, found one at a sale. OK it was $3, but hey!

Slayer - Show No Mercy. 1983 USA

I pretty much avoided Slayer in my youth, as I was never too comfortable with satanic imagery (still not). But like a lot of these early metal bands, it was more cartoonish than serious. Besides Araya was (and is) a practicing Catholic lol. In any case, the music here is fairly primitive, a long way from the competitor's Kill 'em All, but there's much more ideas and thought here than I'd ever expected. Not really thrash at this point, more toward Iron Maiden and Judas Priest actually. Worth keeping.

CD: 2007 Icarus (Argentina)

No better way to obtain these old metal albums than via bulk buy CDs dirt cheap. Folks are giving them away, so sure I'll take them then....

Bloodrock - s/t. 1970 USA

Bloodrock's debut is nothing short of essential hard rock from my old hometown of Fort Worth. I never heard their debut until now surprisingly. Not as energetic as Grand Funk Railroad; not as heavy as Black Sabbath; more gritty than Uriah Heep. That's the sound of the first Bloodrock. About as good as it gets for American hard rock from the early 70s.

LP: 1970 Capitol

Another great garage sale find. And a true original in excellent shape too!