Eclat ~ France

Volume 3 (1997)

Eclat, from Marseilles, were one of many French progressive rock bands to have emerged in the 90s, only to be completely forgotten in modern times. Eclat reminds me most of Minimum Vital, especially in regards to the energetic electric guitar and Medieval themed undertone. The album is primarily instrumental, and the only vocal track 'La Madeleine', is also the album's only clear misstep. A fine album worthy of investigation. Eclat appears to still be active, though I haven't heard anything past their 2002 album, which seems to be the case globally.

Ownership: 1997 Kezko (CD). The booklet is a four panel foldout. Acquired in 1997.

1997; 6/24/16 (review)

 

Le Cri de la Terre (2002)

---5/31/07

On Le Cri de la Terre, it seems the band has moved away from the Minimum Vital-like Volume 3, which is to say there is less of the Medieval here. But in its place is a more aggressive kickass style guitar rock, with some nice digital keyboards. Lead guitarist Alain Chiarazzo can play with the best of them. His style is very much from the French school, and the Paysson  comparison (Minimum Vital) continues on. The excellent Paul Whitehead painting rounds out the package.

---3/3/26

I didn't mention it above but track 4 is in the French Theatrical style of their first two albums when they were known as Eclat De Vers. The album is borderline fusion versus traditional progressive rock. This is especially notable on the ECMish 'Mr. Z' and 'Aurore Boreale'. Overall, the expressive guitar of Chiarazzo wins the day.

Former ownership: 2002 Musea (CD). Poster booklet with recording details and lyrics. Acquired in 2007. Downsized in 2026.

5/31/07 (review); 1/29/13; 3/3/26 (update)

1/29/13 (new entry)

Smoking the Century Away ~ Mexico

Smoking the Century Away (1997)

There was a time in the late 1990s when the Smogless label was Mexico City's response to, and admiration of, the 70s Kosmische Kourier movement. Loch Ness, Humus, and Frolic Froth were the most known of these groups, but there were a few other random kollektivs, and one of those was Smoking the Century Away. This "brand name", as it were, was their outlet for more organic psychedelic music and wasn't as fuzz guitar focused as the three groups mentioned above. Sort of a drifting, primitive sound (especially the keyboards), as one might find on an Amon Duul II side long excursion. This album is made up of one track, broken up into 17 vignettes. Yet another late 90's band that is long forgotten today, and still awaits their true discovery.

Ownership: 1997 Smogless (CD). Booklet is a trifold. Acquired in 1998.

1998; 6/23/16 (review / new entry); 6/29/26

Red Sand ~ Canada ~ Quebec

Mirror of Insanity (2004)

Canada's Red Sand are quite simply Script For a Jester's Tear era Marillion, right down to the Fish-like vocalist and album artwork. Which is fine with me, as I felt the early years of the neo-progressive movement held promise. And I never thought Marillion gave their more progressive side a chance and were too quick to embrace AOR styled music. Mirror of Insanity has a few new ideas to add and it's nice to hear a band tackle a genre that lost its way years ago. All the same, perhaps a bit more originality would have helped them here.

Execution meter scores high. Originality meter didn't move. And I decided to part with my copy.

Former ownership: 2004 Ipso Facto (CD)

2004 (review)

Other albums heard: Gentry (2005)

6/21/16 (new entry)

Ozone Quartet - Fresh Blood. 1997 USA-North Carolina

Raleigh, North Carolina's Ozone Quartet, on their debut Fresh Blood, provide us with a rough 'n ready instrumental violin driven prog rock / fusion album, as if Jean-Luc Ponty played lead for Boud Deun. Not the best production you'll ever encounter, but it probably adds the right amount of grit needed to make it work. This one is easy to get into for fans predisposed to the genre.

Ownership: CD: 1997 Flat Five. Standard jewel case layout. 

1997; 6/19/16 (new entry)

Lizard - W Galerii Czasu. 1997 Poland

Lizard's debut is an unusual effort coming from the late 90s. Most of Poland's progressive rock scene were following along in the footsteps of Collage, and performing UK styled neo-prog. And there is definitely some of that sound present here, but there's also a bit of heaviness (not metal), perhaps paving the way for future stars like Riverside. But most interesting to me is the look back to the Iron Curtain years, and there's a distinct melodic songwriting as you might find on a late 70's SBB album, or even from the Czech group Modry Efekt. Odd combination, but it works. I bought this CD upon release, and enjoyed it immediately. Strange that I never pursued anything else by the band (though it didn't help that some of their initial follow up albums were "official bootlegs", which is rarely a good thing). Time for some research. The band is still around, and releasing albums, but they appear to have fallen off of everyone's radar. No idea if the quality is the same though.

Ownership: CD: 1997 Ars Mundi. Fine new album layout with original art and lyrics

1997; 2013; 6/19/16 (new entry)

England - Garden Shed. 1977 England

Depending on one's perspective, England's Garden Shed is either forward looking or out of date. The music is heavily influenced by Yes first, and Genesis second, with a dash of densely composed Van der Graaf Generator to boot. In Continental Europe there were plenty of more obscure bands doing similar, but for the namesake country itself, this kind of progressive rock music had pretty much slowed to a trickle. There are some commercial styled moments, and it's these that would seem to point the way toward the upcoming Neo Prog (nee NWOBPR) movement that would take hold in the early 80s. But the instrumentation is heavily analog, with Mellotron, Moog, and woody bass, and is definitely a recording of the 70s. Like any album that is influenced by something, one will hear familiar bits here and there, though it's still unique enough to enjoy it simply as the band England. This is a safe pick for new fans looking to venture beyond the Big 6, but aren't quite ready for something entirely new. Like going from Heineken to Samuel Adams Boston Lager.

Ownership: LP: 1977 Arista. Single sleeve. New copy acquired from a record collection buy in Tucson (1994).

Despite being on Arista, Garden Shed did not receive a US issue. I think it would have actually done quite well commercially in the States, as the progressive rock audience hadn't died out yet. Apparently they didn't see it that way, and the album was always a bit of a "cult classic" over here. Avoid the first Japanese CD as it was taken from a scratchy vinyl, which is really strange as I'm sure mint vinyl copies were easily accessible (if not the master tapes). 

1991; 7//05; 6/17/16 (new entry)

Architectural Metaphor - Creature of the Velvet Void. 1997 USA-Massachusetts

Architectural Metaphor were a space rock / Krautrock band from the Boston area, that are long forgotten today, but had a bit of momentum during the late 90s space rock renaissance (most notably playing in the festivals of the day plus various compilation albums). Generally Architectural Metaphor performed as a trio, with loud electric guitar, effects, found sounds, and pounding drums. The latter is unique in that they are provided by a female, who also is their lead singer and "space whisperer". Creature of the Velvet Void is their second full length "proper" album, and marks a distinct improvement on their debut Odysseum Galacti. Musically, Architectural Metaphor are clearly informed by the early Kosmische Musik scene, such as Amon Duul II, Ash Ra Tempel, Cosmic Jokers, et al, as well as the usual space rocker suspects like Hawkwind and Gong. They're not the most accomplished musicians you'll ever hear, but for the type of music they play, a bit of raw amateurism plays to their favor. Besides, any band that names a tune 'March of the Wooden Potatoes' has to be onto something special... 

Ownership: CD: 1997 Black Widow (Italy). Standard jewel case layout with lyrics.

1997; 6/15/16 (new entry) 

Coeur Magique - Wakan Tanka. 1971 France

Guitarist Claude Olmos was later to be enshrined into the collective hearts and minds of Zeuhl fans everywhere as the guitarist on Magma's mythical Mekanïk Destruktïw Kommandöh album, but you would never know he was destined for such a fate by this recording. Coeur Magique is another kind of rare breed: That of the French psychedelic record. Whereas most French bands in 1971 were emulating what was happening over the Channel - and singing in English - Coeur Magique reached further back in time and space - to that of the late 60s American heavy psych scene. What you have here is a late-to-the-dinner-party album recalling Iron Butterfly, Sir Lord Baltimore, Hendrix, even a bit of Santana, all sung in French mind you. Solid album throughout (though it barely clears 30 minutes), and somewhat out of alignment with both time and place, which makes it even that much more interesting. Those who scan 30 albums a day looking to be "wowed" would probably be better served to move on, but for the deep divers, this one is a definite pickup.

Ownership: LP: 1971 BYG. Gatefold. Online acquisition (2013). Very nice gatefold cover with a band photo as its centerpiece. I started with the CD on Spalax (2006) but it offers nothing else and can be let go.

2006; 2013; 6/14/16 (new entry)

Galactic Supermarket. 1974 Germany

As good a place as any to jump in on the happenin' Berlin Kosmische Kourier Musik scene. A non-stop peak experience with roaring guitars, swirling synthesizers, pulsating bass, frantic drums, and echoed female vocals. Moment-in-time live jamming that perfectly captures the ethos of a bygone era. Mandatory.

Ownership: LP: 1974 Kosmische Musik. Single sleeve. Mail order acquisition (1988).

CD: 1994 Spalax (France). Digipak

1988; 1995; 6/3/16 (new entry)