And so yes, I can hear the merits of the album in a different light. Album #1 is a folk / psych / prog amalgamation. Not too distant from what was happening in the UK during that era, as one might find on the Transatlantic label for example. Singing in English was a highly unusual move for Italians back then, and unfortunately it loses something in translation. The vocals are oddly affected, though I find them interesting all the same. Album #2 is a live recording that brings out the band's inner Deep Purple. The phony piped in audience noise is ridiculous, as if they recorded the album in front of a bunch of 13 year old girls - and they were Frank Sinatra. Ha! All the same, the New Trolls were accomplished musicians and the album has a kinetic energy that is infectious, even if it's entirely unoriginal.
The band would go on from here to release their most progressive album in UT, before splintering/devolving into various fusion and/or pop rock incarnations. As I said in the prelude: The New Trolls never had an identity for anyone to relate with. And thus they haven't aged well.
Ownership:
11/12/16 (new entry); 12/29/23 (remove from collection)
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