Showing posts with label Don Shinn. Show all posts
Showing posts with label Don Shinn. Show all posts

Wednesday, April 14, 2021

Don Shinn - Departures. 1969 England


It was about a year ago that I reported on Shinn's other 1969 album Temples With Prophets. I purchased that one first as it had the reputation of a quality early progressive rock effort. But no one spoke of Departures. To quote that earlier review "...it becomes apparent that Shinn probably wasn't trying for a progressive rock album at all - it just worked out that way... It could be argued that he was simply following in the footsteps of other creative organists of his era, and ended up with an album that is just as much The Nice as it is something perhaps an early Krautrock band would come up with." And guess what? Departures fits this model perfectly. In fact some of the organ work recalls Mike Ratledge, minus the fuzz pedals. Here we have four long tracks. Three of the members are dedicated to drums and percussion, so it's heavily slanted that way, but remarkably there are very few solos. It's definitely Shinn's show. The three unreleased bonus tracks are excellent, one featuring female vocals, that almost puts it into bossa nova territory. Excellent album and just as good as Temples with Prophets.

Ownership: CD: 2020 Sunbeam. Recent online acquisition. Digipak. Excellent reissue with extensive liner notes, photos, memorabilia (it's the same booklet as Temples with Prophets, so not much gain here if you already have that), and three bonus tracks.

Tuesday, May 26, 2020

Don Shinn - Temples with Prophets. 1969 England


I'd never even heard of Don Shinn until about five years ago. I then proceeded to add him to a (rather large) list to sample at some point in the future. And, as is usually the case, forgot all about him. Until I read earlier this year that Sunbeam intended to reissue both of his albums (the other I have yet to hear). Perhaps Shinn would have been forever lost to obscurity were it not for a one Keith Emerson praising his work, and stating that Shinn was a major influence on his style. In hearing Temples with Prophets, it becomes apparent that Shinn probably wasn't trying for a progressive rock album at all - it just worked out that way. His background was not only in jazz, but also R&B, and so he wasn't unfamiliar with 60's beat pop music, being a member of The Soul Agents. It could be argued that he was simply following in the footsteps of other creative organists of his era, and ended up with an album that is just as much The Nice as it is something perhaps an early Krautrock band would come up with. The album features seven excellent instrumental keyboard driven tracks with guitar, bass, and drums accompaniment. It's not a radical album by any means, and yet it is a pioneering work. Well worth owning.


Ownership: CD: 2020 Sunbeam. Digipak. Excellent reissue with extensive liner notes, photos, memorabilia, and 2 bonus tracks taken from a 45.


5/26/20 (new entry)

The Next Morning ~ USA ~ Brooklyn, New York

The Next Morning (1971) The Next Morning are often compared to Jimi Hendrix, though they are much more hard rock influenced than psychedelic...