Xhol Caravan's debut Electrip is generally considered the first true
Krautrock album, at least as the term is commonly understood. So one can
only imagine the glee that Steve Stapleton must've felt when he was
able to put his hands on these tapes from 1968! This is a truly
extraordinary historical document, and shows that Xhol Caravan had long
since ditched their soul roots as found on Get on High from 1967. The
57 minute 'Freedom Opera' suite is not easy listening, and there are
frequent bouts of noise and free jazz to endure, but also plenty of
reckless psychedelic abandon as only the Germans knew how to do.
Psychotic ramblings, wailing sax, flute, fuzz guitar and organ are the
ingredients for this once-in-a-lifetime recording. The WDR Radio session
from a year later shows the band is progressing rapidly, incorporating
more melody into the proceedings. For the most part, this one stays in
the rails, and is like an extended version of the best parts of Electrip. This double CD is essential for fans.
CD: 2001 United Durtro (UK)
Showing posts with label Xhol Caravan. Show all posts
Showing posts with label Xhol Caravan. Show all posts
Tuesday, October 30, 2012
Monday, February 15, 2010
Xhol Caravan - Electrip. 1969 Germany
Before Tangerine Dream, before Embryo, before Kraftwerk, before even the Ohr label, Xhol Caravan released what may be the first album to rightly own the name Krautrock. The band started as a straightforward soul group, Soul Caravan, and bastardized the name for the new direction the group was heading. Early innovators of the creative German sound, and borrowing heavily from that country's love of jazz, Xhol Caravan would always be a historical footnote. Sadly the band disbanded before it could be granted legendary status.
In 1969, on the little known Hansa label, Electrip was released to an unsuspecting public. Sporting wild artwork of a psychedelic nude woman, the buyer had to know this was going to be a special affair. And indeed it is. Starting with a toilet flush, the album blasts away with 'Electric Fun Fair'. Featuring primarily electric sax, electric flute, and organ as the solo instruments, the music is a mixture of free jazz, psychedelic, Zappaesque humor, and progressive jazz rock. 'Pop Games' and 'All Green' continue along this path with the same optimistic melodies and insouciant demeanor. Perfect music for driving the MG convertible around the Autobahn, hardtop down, blond babe with heavy mascara and white go-go boots actually admiring your hip music selection. The latter track would be the prototype for similar groups such as Missus Beastly, joyful yet experimental jazz rock. Side 2 is a slightly different breed of cat. On the 17 minute 'Raise Up High', the instrumental sections are very similar to the previous side, but here they added some wild English vocals to the mix giving the song a rough hard rock feel to it. As well, this track displays a more experimental and improvisational angle with some free blow moments. Overall, a classic in the field of Krautrock fusion and the catalyst of an entire movement.
Ownership: CD: 2000 Garden of Delights. This is the de facto aural reissue and features the label's usual great liner notes, previously unseen photos, and a rare 45 single when they were known as Soul Caravan. Purchased new upon release.
LP: 1997 Tripkick. The original LP cover is striking in its use of color and is replicated beautifully on this reissue. And it's usually featured on display in my music room. This was the first legitimate reissue of the album. Purchased new upon release from a mail order dealer.
Subscribe to:
Posts (Atom)
Reale Accademia di Musica ~ Italy
Reale Accademia di Musica (1972) ---May 2005 Here’s an album that has grown immensely on me over time. When I first heard it in the late 198...
-
As noted in the Happy New Year note, I have a new blog that carries most of my 45 / SP notes. Its focus will be on obscure 45s in genres I l...
-
Yokota was the flutist on the Love Live Life + 1 album (I always presumed he was the "+ 1" but I'm not sure of that). He was ...
-
For years, I used to joke that Providence were the Night Ranger* of Japanese prog. It was always meant to be a lighthearted stab, an in...



