2026 Fusion / Jazz Journal Vol. 4

*Stanley Clarke. Epic (CD) (1974). I've had this title in and out of the collection, both LP and CD, going back to 2014. This listen convinced me to keep it. The music is an extension of where Return to Forever was on Hymn of the Seventh Galaxy, and one could see this being the album released instead of Where Have I Known You Before if Bill Connors had stayed with the group on guitar. Jan Hammer and Tony Williams certainly play in a different style than Corea and Lenny White, giving it a different dimension. This isn't as much a "solo" effort as his later works. He does sing on one track which is more cute than offensive. Solid prog fusion album. Thought about creating a page for Clarke, but for now I have three albums in the journals, which seems to be the right place unless I continue to add more. (8/16)

Lonnie Liston Smith - Exotic Mysteries. 1978 Columbia (LP). As with A Song For The Children, I'm including this title in the journals for now. I have one of his classic titles here ready to be listened to, and I'm expecting to build out a page at that time. Exotic Mysteries starts off with an upbeat disco number, once again alienating his built-in audience. But hey, everyone was doing that back then, including Donald Byrd (noting the white pants while at it). This is followed by a mellow tropical jazz number that wouldn't be out of place on a 60s era Sergio Mendes album. Very pleasant. The third track goes in for jazz funk, with enough edge (credit goes to the rhythm section for this) to keep it out of the smooth jazz category. The title track captures a beautiful groove with some wonderful melodies. Donald Smith's flute juxtaposed against Smith's echoed electric piano is divine. Side 2 continues in a similar fashion, demonstrating the opener is an anomaly. I didn't get into the compositions as much here. They are certainly very good, though it fell just short of keeper status. For my tastes the clear highlight is A4 with A2 coming in above the bar. (8/7)

Fusion Juice - First Taste. 2006 Digital Dream (CD). Another quarter bin find. I picked this up because Fusion Juice is a dumb name, sports a sexy cover, are a local Denver area band, and perhaps I may have found a new hot jazz fusion album. Uhh... no. From the very first few seconds, it becomes apparent this is not the next Mahavishnu Orchestra or Return to Forever. First Taste clearly falls into the smooth jazz category. You know the sound. Funky slap bass, digital synthesizers, saxophone, lightly amplified guitar, and danceable rhythms. The musicianship is high, the creativity is low. All the same, the music is easy to listen to and isn't a bad way to drop 40 minutes or so. I can totally picture the scene of this band and the CD. Imagine a cool evening at a Colorado mountain club, sitting outside taking in the atmosphere. Grab a couple of alcoholic beverages and immerse yourself into the smooth textures of the band. A few kind folks then feel obligated to purchase the CD they have on hand, take it home, and maybe listen to it once. And then it finds itself in a thrift shop. "Why did we buy this again?" asks the aging couple as they downsize before retiring into their condominium. Even the track 'Guitarmageddon' is lightweight. They really should have let loose at least once. The only surprise this album had for me was the date. I was certain it was from the 90s until I looked at the CD. (4/22)

* - Keeping for the collection

2024 Fusion / Jazz Journal Vol. 2 - Complete

Michael Urbaniak - Body English. 1976 Arista promo (LP). Same garage sale (Jun). Side 1 seems stiff but I like the period sounds of Side 2. Almost a keeper but perhaps too slick and glossy.

Miroslav Vitous - Majesty Music. 1976 Arista promo (LP). Back to the garage sale (Jun). Solid fusion album from Czech bassist. Opening track has fuzz bass and that would have served the album better had he kept using it.

Jaco Pastorius - Invitation. 1983 Warner Bros. (LP). From a local antique mall for $1 (Jun). The opener I recognized from Maynard Ferguson's Primal Scream album. A wonderful 70s styled TV soundtrack composition. I'm not a huge "bass as a lead instrument" guy unless it's Zeuhl, and that's a different use altogether. Highly regarded album but doesn't sway me much.

*Larry Young's Fuel - Spaceball. 1976 Arista promo (LP). Same sale as below (Jun). A much stranger album than I had realized in the past. High creative and sounds like something that may have come from France during this era. There's elements of funk, jazz, disco, and prog throughout. Within the parameters Young boxed himself in with, it still sounds fresh and unique. Jazz and fusion fans aren't too keen on Young's departure from the norm, but I'm enjoying it immensely.

Airto - Free. 1979 CTI promo (1973) (LP). Same sale as below (Jun). Side 1 is an excellent variation of the early 70s jazz rock sound, deftly adding Brazilian touches. Side 2 starts with a free improvisation, hence the title. The last two tracks are on the happy side of jazz. Overall still very good, but only half an album for me.

*Isotope - Illusion. 1975 Gull promo (1974). (LP). Recently scored some minty jazz and funk albums (mostly promos) from a local garage sale all at very cheap prices (Jun). New member Hugh Hopper takes over with his fuzz bass and leads a very fine set of jazz fusion tunes. I've always liked this album but now appreciating even more. +1 listen.

Allen Youngblood - Selah. 1984 Griot (LP). From a local antique mall (Jun). Once I saw Julian Priester listed, I figured this might be a piece worth considering. And it was. Sort of a late era spiritual jazz release. A bit too traditional for me to keep, but glad I picked it up. Seems to be a price riser too.

*Stanley Clarke - Children of Forever. 1973 Polydor (LP). From a local antique mall (Jun). Much more personal than his later fusion works. Even a Magma vibe can be detected in the wordless voices. A solid release and the best I've heard from Clarke.

* - Keeping for the collection

2022 Fusion / Jazz Journal Vol. 1 - Complete

Dave Grusin - Discovered Again! 1976 Sheffield Lab (LP). I'm always interested in hearing things on the audiophile label Sheffield Lab, and Grusin is an excellent candidate for the imprint. Pretty decent smooth jazz, with a little bit of that early 70s TV soundtrack sound still left. Good on the whole, but inessential. (Mar)

Quincy Jones - You've Got it Bad Girl. 1973 A&M (LP). Similar to the above actually, but even more constrained and saccharine. This one is way too polished. Last year I picked up Smackwater Jack (1971) for the first time, and enjoyed that title better. (Mar)

Streetlife. 1981 Black Gold (LP). Ah, this ended up being a bummer. I was very excited to find this for $3 at a local store (signed no less). I'll buy anything on the collectable Black Gold label out of Albuquerque, New Mexico. Two of my treasures of the collection were released by them: Message (hard rock) and Genre (jazz fusion). Looking at the cover I thought I may have found something like the latter, or perhaps even a soul or funk album. No such luck. The cover, as it turns out, is truly indicative of the music. It's jazz vocal revival music, the sort of thing one would hear in the 1940s and brought back by the likes of Diana Krall in the 90s. Nothing wrong with that of course, just not what I'm into. It'll sell though (it did). (Mar)

RMS - Centennial Park. 1985 MMC (LP). Long ago I had an associate who would determine how good an album was by who was on it. A "names guy" I'd call him. Well, he'd certainly love this album then! Why RMS indeed stands for Ray Russell, Mo Foster, and Simon Phillips. No need to listen to the album - it's great! Ha. In any case, Centennial Park is a fine instrumental fusion album with decent guitar from Russell, but it has 1985 written all over it. The tones are cheap and the compositions are somewhat ordinary. I think if I didn't already have dozens of albums just like it, I would keep it. But enough is enough. (Mar)

*Ruphus - Let Your Light Shine. 1976 Brain (LP). Seems I've been on a Ruphus kick of late, but it's pure coincidence that this album came along after hearing the first two recently. I've had those on LP for many years, but never owned this title. Like with Release Music Orchestra's Get the Ball, you'd think this album was readily available, but it's surprisingly elusive here the States, at least at a decent price. Finally secured one online at a fair deal. This is where Ruphus switches gears from being a prog band to a jazz fusion group. The music is a superb example of the Euro fusion movement of the time, and the piercing female vocals of Gudny Aspaas adds to the allure, though requires a mental adjustment. On this listen, I was most reminded of Embryo's Bad Heads and Bad Cats, a major compliment indeed. (Mar)

Jack DeJohnette's Directions - Untitled. 1976 ECM (LP). I was hoping for a rough jazz rock album here similar to early Rypdal or Abercrombie. Well, not quite. This definitely isn't "ECM Jazz", but it is most certainly "Jazz". I could have gone for a rawer edge, similar to some of the greats from around 1970, but this one plays it safe for the most part. Oh well, not the best week for my jazz rock / fusion collection. (Feb)

Stanley Clarke - School Days. 1976 Nemperor (LP). Standard issue - but very good - fusion album from one of the legends of the genre. Followed the pattern of the day with a pastiche of styles, from heavy electric, to soft acoustic, and everything in between. Sometimes albums penetrate deeper into our psyche depending on when we hear them. For me, this comes too late, after absorbing many albums like it. But certainly a very fine album for the style. (Feb)

Art Lande - Rubisa Patrol. 1976 ECM promo (LP). Another ECM styled late night noirish jazz album. Peaceful and soothing. Though credited to pianist Lande as the marquee, it's just as much Mark Isham's album as well. He contributes half of the compositions and his muted trumpet is the dominate instrument. An old friend was a huge Isham fan, so I heard a lot of his work 30+ years ago. It was too tranquil for me then, and I still feel that way - at least on Rubisa Patrol. Borderline keeper, but have to draw the line somewhere. (Feb)

*Rainer Bruninghaus - Freigeweht. 1981 ECM / Warner Bros (LP). Bruninghaus was the keyboardist extraordinaire for Eiliff, so I was most curious how this solo album would turn out. It was only a couple of bucks, so why not? First off, this is nothing like Eiliff or has anything to do with Krautrock. And yes, it is most certainly "ECM Jazz", so we're all adults now. Mostly it's an atmospheric album with Bruninghaus' soothing piano and Kenny Wheeler's Flugelhorn, backed by scattered drums, oboe, and English Horn. It's very well done, and calms the nerves nicely. It's side 2 that really draws you in, as the music becomes more cyclical and entrancing, while Bruninghaus introduces more synthesizer to the mix. The 12+ minute title track is a whopper. Sounding all the world like Klaus Schulze's 'Crystal Lake' as a backdrop to the soothing jazz up front. Brilliant really. The US press translates the titles on the back cover (but not the label) to English. The title track is set to mean 'Set Free By the Wind', which tells me it's not a straight translation ('Blown Free' would be that), but an interpretation. I like the album's take because it fits the music perfectly. Wonderful surprise. (Feb)

Egberto Gismonti - Danca das Cabecas. 1977 ECM (LP). Acoustic based world fusion album from Gismonti. More towards proto New Age than "ECM jazz". Reminds some of Pat Metheny's acoustic works, also on ECM. It's not a bad album, but not very enjoyable either, at least for me. More academic than interesting I'd submit. (Feb)

Urban Ensemble - The Music of Roland Vazquez. 1979 Arista GRP (LP). This was a pleasant surprise. Somewhat standard fare late 70s fusion but with a full stage band behind it. Great horn charts. Think something along the lines of an instrumental Earth, Wind and Fire minus the soul and disco. Or, maybe more to the point, Caldera. (Feb)

* - Keeping for the collection