Showing posts with label fusion. Show all posts
Showing posts with label fusion. Show all posts

Wednesday, February 26, 2025

The Chris Hinze Combination ~ Netherlands

Despite what it may look like below, I have a few Hinze albums in the collection. I just haven't written anything meaningful for any of them. We'll get there eventually.

Here is my summary from 7/18/09: Dutch flautist Chris Hinze was far more than just your usual jazz flute player. Especially on Mission Suite where he combines jazz and progressive rock very effectively. Stoned Flute and Live at Montreux are more steeped in the jazz tradition, but aren't standard by any means. Who Can See the Shadow of the Sun is a bit looser than the others during this period, and will appeal most to those into "out" jazz. Sister Slick is probably Hinze's heaviest album, with Philip Catherine on guitar, and is a good representation of the harder edged fusion style. His later 70s work strayed towards fuzak. Interesting to note that his other album from the early Seventies, 1972's Virgin Sacrifice, has been reissued on CD. I'm sure it earned a CD imprint (on his own label) since it foreshadowed his future work as a new age artist. It's very different from his other albums during the early 70s.

Stoned Flute (1970)

I've had this LP for well over 20 years but I think it's only the second time for me to hear it. I had such high hopes for this when I first obtained it. That most awesome title and the fact that I was already an established Hinze fan. But this falls to the free jazz side of the equation. It's not unpleasant at all, with plenty of standup bass and piano along with Hinze's flute. Everyone once in awhile they'll catch a groove and you begin to think there might be something here to grasp onto. But then it falls apart per protocol. Lot of folks I know into this scene, but I'm just not one of them.

Former ownership: 1970 CBS (LP). Gatefold

3/3/03 (acquired); 1/7/25 (review)

Charlie Mariano with the Chris Combination (1973)

Straight up jazz session with American WWII veteran saxophonist Mariano joining forces with the Chris Hinze Combination from the Netherlands. This CD is a reissue of Charlie Mariano With The Chris Hinze Combination with the 18+ minute "bonus" title track improvisation thrown in the middle. Mariano himself was just taking baby steps into the European underground (see Osmosis for some American subversiveness) with jazz flutist Hinze's outfit. He was later to embark into an enlightening journey with Krautrock legends Embryo, and participate on some of their finest works shortly thereafter. 'Traditional South Indian (Carnatic) Kirtanam' is exactly the type of music he performed later with the underground Embryo. A real Hepcat, man.

Former ownership: CD: 1995 Black Lion (Germany) as Blue Stone. Booklet has original liner notes.

7/08/03 (acquired); 12/10/15 (review); 4/23/24

Other albums I own and need to review: Live at Montreux; Virgin Sacrifice; Mission Suite; Sister Slick

12/10/15 (new entry)

Thursday, July 18, 2024

Emerge ~ USA ~ Oakland, California


Now! (2006)

Emerge's debut CD is exactly the type of album I look for while haunting the thrift shops. It was over two years ago when I found this with some other intriguing jazz rock / fusion CDs. Some I kept, others I sold. But this one had no provenance so I stuck it in a pile of unknowns that I planned to review. I do this a lot - have projects ready to go - and yet never actually get around to doing them. Finally I'm plowing through a large pile of CDs just sitting here from buys going as far back as 2016.

Oakland's Emerge is unknown - but not really. This is one of the most hidden-in-plain-sight albums that I've run into in a long time. It's not in Discogs, nor RYM. But the label website is still going strong, some 18 years after this release. As well as a Facebook page that is active. Supposedly the label "reissued" this album in 2015. Hard to imagine there was that much demand in the first place. Where are all the existing original copies?

I could tell the tale above for many albums I find, but the music doesn't warrant the prelude. Now! obviously does. On the surface Emerge are nothing more than your garden variety guitar fronted jazz rock trio with competent lightly amplified six strings and funky rhythms. All well and good, but not enough to find room in my collection. That space is long occupied. You have to bring something else to get my attention.

And that's where this review has been going. The tone that Peter Jong Chang obtains here is absolutely delicious. We're talking heavy fuzz tone right out of the 1971 cookbook. He doesn't wail everywhere, but when he plugs in and gets the effects going - look out! A very unusual sound for the middle 2000's. This isn't the overamplified stoner sound of modern metal, no no, this is something from the 70s analog past. On most tracks, Chang savors the moment and unleashes his fury in the middle or end of the song. But if you want a stiff drink up front, go for 'Pipeline' which will get your attention quickly.

Ownership: 2006 Station of Dreams (CD)

7/18/24 (review / new entry)

Sunday, June 11, 2023

Iceberg - Coses Nostres. 1976 Spain


Iceberg switched gears on their second album to create a pure play fusion album with indigenous Spanish touches, especially flamenco. Though the band is Catalan, they favor the southern sounds of Andalusia. Highlight is focused on Max Sunyer's guitar and Joseph Kitflus' keyboards. As such comparisons to Return to Forever and Al Di Meola are well placed. In hearing this album for 31 years now, it still sounds fresh.


Ownership: LP: 1976 Bocaccio. Single sleeve. Acquired via mail order (1992). Though the vinyl looks near mint, it's a noisy pressing. Given that the CDs are all messed up, it doesn't appear there to be a great sound source for this album. However I have read the Japanese papersleeve sounds excellent (ironic that). I'll stick with this. The music is loud enough to overcome most of the background noise.

A couple of Discogs quirks. The one they have as "primary" is a later press from 1977 (see back cover). This original version has what looks like a tiny sticker applied on the rim text of the label (7.770), but I don't think that's factory. My copy doesn't have it anyway.


1992; 5/24/98; 3/10/16; 6/11/23 (new entry)

Bill Bruford (& related) ~ England

Bill Bruford's Earthworks (1987) Since I already added a page for Bruford, I might as well consolidate his other albums here as well. So...