Showing posts with label Folk. Show all posts
Showing posts with label Folk. Show all posts

Monday, September 22, 2025

Kristen Nogues ~ France


Marc'h Gouez (1976)

---5/13/07

Kristen Nogues debut album (and her only solo for another 14 years) can be succinctly described as haunting Celtic folk music from Breton sung in the local tongue. Soft female vocals, violin, harp, acoustic guitar, hand percussion, and bombarde provide the instrumental backdrop. Quiet and introspective, with a mystical aura. One imagines hearing tales of love and war, while cuddled around the fire, as the cold fog envelopes the rocky green coast of Brittany. Essential listening for fans of Emmanuelle Parrenin.

---9/22/25

The above certainly encapsulates the atmosphere. Nogues' voice is really enchanting. Soft and mysterious. There are no less than ten musicians participating here plus Nogues, whose harp is the primary feature. While not really my music of choice, I find the album quite soothing. I have very little of this style in the collection, and this is an excellent representative, so worth keeping.

Ownership: 1976 Nevenoe (LP). Gatefold. Acquired in 2013.

This was in the CDRWL (though never featured) until reissued by SouffleContinu (2023).

5/13/07 (review); 11/6/13; 9/22/25 (update / new entry)

Monday, November 13, 2023

Synanthesia ~ England


Synanthesia (1969)

Legendary folk album from England that has a solid reputation in the psych underground. At first I thought it was more a pure folk sound but as the album played on I could pick up a bit of that madcap that was famous during the time and place. Plenty of unique instrumentation and darker atmospheres. It's proto Comus and Mice and Rats in the Loft - doesn't go near that far but you can hear the seeds being planted, more so than Jan Dukes de Grey's own debut. Folkies still ruled the roost in 1969, so albums that were this unusual were bound to raise an eyebrow. Traditionalists won't like it and there's really no rock element to draw in the newer generation. Thus it was obscure the minute it was released. 

Ownership: 2018 Sunbeam (CD). Digipak with historical liners. While informative, the book is a mess as they mixed up the pages. Requires deep study to know when one page ends and the other begins. Way beyond Six Sigma failure, thinking Six Joints at this point. Features one relevant bonus track. Acquired in 2023.

11/12/23 (review / new entry)

Monday, December 27, 2021

Fairport Convention - Unhalfbricking. 1969 England


Iconic folk rock album by highly respected English band Fairport Convention. It wasn't that long ago I spoke of my disappointment after hearing Full House, as I heard that as too traditional English folk for my tastes. Largely I could make the same claim here about Fairport's 3rd studio effort, but there are some exceptions, in particular 'Autopsy' and especially the 11+ minute 'A Sailor's Life'. There's just enough here to make me want to keep this, with special consideration given the ownership situation below. And I have to say that the cover is perfect, and gives it a real dimension you rarely see from this era. Those could have been my grandparents, looking somewhat similar in 1969. And to know that Sandy Denny met a tragic end at only 31, is that much more heartbreaking.


Ownership: LP: 1969 Island. Single sleeve. Yes, this is a true first edition UK pink Island with the "block" logo design. This came from the RT collection (2021), and represents for me the bookend of a year long journey that began with Yusef Lateef's Detroit Latitude album. When I add up all the miscellaneous factors here, this one goes into the must keep category.


12/27/21 (new entry)

Thursday, July 2, 2020

D.R. Hooker ~ USA ~ Boston, Massachusetts


Armageddon (1973)

I had recently spoken of Hooker's The Truth, and mentioned how much more I appreciated it than in the past. And same can be said for Armageddon. Which, BTW, is completely different musically than The Truth. Mostly this album is a mix of hard rock, AOR, and prog. The original date of the release is 1979, but apparently it was recorded in 1973. Oddly enough, the music sounds more like 1979 to me! That American heartland proggy AOR sound. Could have been from the Midwest, instead of Boston. There's gobs of mellotron on this one too, an instrument not found on The Truth.

2009 On / Scorpio (LP). Like The Truth, it too is nothing more than a brick with no info and questionable sound quality. Acquired in 2015.

2/8/15; 7/20/20 (review)


The Truth (1972)

I've long been skeptical of this LP, and was wondering if I would keep it. But it's won me over finally. Definitely an underground American private press gem. Hailing from the Boston area, Hooker goes through some fine psychedelic Christian folk songs with plenty of fiery instrumental work. His guitar and early use of synthesizers save the day. 

2009 On / Scorpio (LP). One of those 180 gram bricks that are inexplicably popular. And this one has a skip in the mastering - brilliant. No other info. 

2/8/15; 1/25/20 (review)

Friday, September 14, 2018

Witthuser & Westrupp ~ Germany


Der Jesuspilz (1971)

This is a crazy one, that's for sure. There's about 30 minutes of great music here, and another ten minutes of... well... you know. 'Liturgie' starts things off in awful fashion with a Floh de Cologne like drunken ditty. Sell bin I think right? Then comes 'Schöpfung', which is the album's highlight. It's every bit Krautrock - in sound, atmosphere, oh don't get me going on that again. The droning trance narration against acoustic - and yes, electric - guitars and swirling keyboards. Reminds me a lot of Sergius Golowin or Walter Wegmuller here. Brilliant. 'Erleuchtung und Berufung' starts off with a blast of mellotron, which is later juxtaposed against a children's choir. Awesome. We're on the rails to stardom right? Wrong. Most of 'Versammlung - Bekenntnis - Die Aussendung' can best be forgotten, though the harmonium on 'Bekenntnis' is nice. Oh that kazoo! Really? 'Nehmet hin esset' is a pleasant folk piece though, and then the album closes on a high note with 'Besuch aus dem Kosmos' which is acid folk at its best - love the swirling Klaus Schulze like synthesizer background. As odd as they get, but well worth your time I think.

Ownership: 1971 Pilz (LP). Gatefold. Acquired in 1999.

1999; 9/14/18 (review / new entry)

Saturday, June 28, 2014

Kelompok Kampungan ~ Indonesia


Mencari Tuhan (1980)

When I first announced the reissue for this album, my initial response after hearing the samples were: "This is a super rare artifact from Indonesia, a country that continues to unearth albums that few knew existed. As soon as I saw the magic word "Paebiru", I wanted to hear it. After hearing some samples, it's certainly on the folk side of the Cortes and Remalho masterpiece, but I can definitely understand the comparison. And I'm always up for hearing albums that make their own instruments! I think this title will be well received by many."

The story that emerges, both from the historical essay and from a musical perspective, is that Kelompok Kampungan are operating in similar territory to that of the German politrock or Swedish progg movements. While there's not much in the way of rock music here, Kelompok Kampungan focuses on indigenous acoustic stringed instruments and percussion to bring forth their civil unrest. The album opens with a lengthy speech from Indonesia's first president Sukarno (aka Soekarno), no doubt raising the ire of the (then) current Suharto regime. And, as such, the band found it difficult to operate within Indonesia during this era. Obviously the music is lyric heavy, and its message will be lost on most of us - but the voice inflections are interesting, and the music is appropriately progressive in the same manner that any culture's native music can be. So if the idea of a creative and progressive Indonesian protest music sounds appealing, then most assuredly Kelompok Kampungan will fulfill that order.  I quite enjoyed it myself - a departure from my usual listening regimen. Strawberry Rain is to be commended for continuing to reissue such interesting albums from all corners of the world.

As we learn from the liner notes below, I find it ironic that Kelompok Kampungan means "Village People". Those expecting to see non-traditional and well chiseled men in various forms of costume, playing insipid disco music will most assuredly be very disappointed with Kelompok Kampungan.

As with Abbhama, the liner notes for Mencari Tuhan are available to the public from Denny Sakrie (and I encourage you all to follow the link for more photos that are not part of the reissue). I will reprint those here, with all credits and thanks to Mr. Sakrie: 

"Kelompok Kampungan (“Village People”)  emerged as one of the ethnical folk rock fusion group of the mid 70’s through early 80’s.They’re came  from Yogyakarta,Central of Java,Indonesia. This eclectical group who makes bewitching music was formed by Bram Makahekum an alumnus of WS Rendra’s Bengkel Theater,an Indonesia  famous theatrical group in the mid of 70’s.They present  once again the richness and important characteristics of Indonesa ethnical music which develop in the Indonesian archipelago and was enriched by a number of breakthrough from folk,jazz,classical even rock essence.Kelompok Kampungan played their original music stuff with acoustic instruments.At the time ,this was seen as a means of creativity, I called it a new direction for folk meets ethnic music and as a way of attracting the kinds of large audiences enjoyed by rock musicians.

The original members of  Kelompok Kampungan  were Bram Makahekum (lead vocalist,acoustic guitar,songwriter),Edi Haryono (Java percussions  ,Arabian percussions) ,Agus Murtono (violin,Bali percussions,cabassa),Rudra  Setiabudi (Flute,oboe,guitars,Java percussion ),Agus Salim (cello,Java Gamelans),Kelik (acoustic guitar,Java Percussions),Joko Surendro (violins,guitar,Java Gamelan) ,Areng Widodo (bass electric,Java Gamelan),Doddy Precil (Back up vocals,percussions),Sawung Jabo (vocalist,acoustic guitar,percussions) ,Innisisri (Bali drums,Drums Kit,percussions),Bujel (flute,gong).Bram Makahekum was also leader of the band and Agus Murtono was a music director.With only Bram Makahekum remaining in place throughout  the band’s life pan.
Bram Makahekum ,Sawung Jabo,and Edi Haryono all had experience playing music score for Bengkel Theater,a group of  theater led by artist WS Rendra,with Java Gamelan orchestration called Nyai Pilis.Innisisri have experienced with various rock group like The Lheps,Spider,Amudas and many others.Areng Widodo was bass player from a rock band called Golden Wings. And the others came from Akademi Musik Indonesia (Indonesia Music Academy) alumnus.

The embryo of  Kelompok Kampungan  started out in the mid of 1970s that supported Bengkel Theater play ’s performing.Bram Makahekum  was the center of the stage with  the blending of singing and poetry reading.His voices was expressive and distinctive.

In 1977 Bram Makahekum with his friends officially formed Kelompok Kampungan as a musical groups.Kelompok Kampungan for the first time played Bram Makahekum song titled “Mencari Tuhan” (In Search Of God) at Taman Ismail Marzuki Jakarta in the same  year .The audiences like their their musical concept.Kelompok Kampungan were unsurpassed  in their eclecticism,willing to borrow from folk,blues,jazz,classical  and Indonesia ethnical.Unexpectedly peoples likes their simple songs with protest lyrics.But the New Under regime under Soeharto administration banned Kelompok Kampungan music in several concerts .

Sadly,they  can’t do anything with their music.The government also banned their first recording  “Mencari Tuhan” (Akurama Records,1980). Their one and only album featured  9 tracks like  “Bung Karno” (with the excerpts of  Soekarno’s monumental  speech in 1964 ) ,”Ratna”,”Mereka Mencari Tuhan”,”Catatan Perjalanan”,”Hidup Ini Seperti Drama”,”Berkata Indonesia Dari Yogyakarta”,”Wanita”,”Terlepas Dari Frustrasi” dan “Aku Mendengar Suara”.All songs composition was written by Bram Makahekum with the assistance of Sawung Jabo,Edi Haryono and Areng Widodo.

Nowadays, Bram Makahekum (now 60 year old) still involve in music creativity.Sawung Jabo continuing his  music passionate in several bands like Sirkus Barock , Kantata Barock and Genggong,Rudra  Setiabudi has a career as sound engineer in Aqurius Recording studio,Areng Widodo still writing music especially for television music scoring,Agus Murtono was joined in some famous orchestra  in Jakarta and Yogyakarta and Innisisri was passed away in September 30,2009.Before he died,the brilliantly drummer  was being in a several idealism band like Kantata Takwa,Swami,Dalbo and Kahanan.

No doubt,Surely ”Mencari Tuhan” was a masterpiece  from  Kelompok Kampungan.It’s kinda  east meets west music with natural touched.It’s the early years of Indonesia world  music. Enjoy their music !

Denny Sakrie"

Former ownership: 2013 Strawberry Rain (CD). Papersleeve with full liner notes in English and some additional photos. Acquired in 2014; Downsized in 2026.

6/28/14 (new entry / review)

Chango ~ USA ~ New York City, New York

Honey Is Sweeter Than Blood (1976) I don't think I've heard this album since first acquiring it some 25 years ago. After scoring a c...