Lucifer's Friend ~ Germany

Banquet (1974)

What a strange record, I'll tell you that right up front. Lucifer's Friend didn't fit neatly in a single box, having released a number of albums that spanned the musical spectrum (and yet never Krautrock strangely enough). But they usually were consistent within the album. That's not the case here. The opening track is misleading and inauspicious. Sounding like 1970 era Beatles, or maybe more to the point Wings, Lucifer's Friend offers an outdated jangly pop track. This is followed by the lengthy 'Spanish Galleon' which mixes in both jazz and brass rock to great success, while infusing a Vegas loungey vocal style. What a great mix, and we're still 4 to 5 years away from any kind of modern relevancy. 'Thus Spoke Oberon' is the highlight of the album, and takes the above track and runs it through progressive rock motifs. I had to hear this side three times straight to digest its contents. That's pretty rare nowadays. Side 2 opens with... a boogie rock track. Of course it does. It does improve as it goes which leads to the near 12 minute 'Sorrow' - yet another Tom Jones fronting Chicago meshed with Wolfgang Dauner number. 'Dirty Old Town' finishes in folk rock fashion, but does not eschew the above artistic or sound qualities. This one gets a +1 for unique and another +1 for being pleasurable to listen to.

Ownership: 1975 Passport / Billingsgate (LP)

3/20/24 (acquired / review)

Where the Groupies Killed the Blues (1972)

Way late US issue of Lucifer's Friend's second album, Passport acquires Billingsgate and subsequently gives up on the German market. They also radically reworked the original order by placing the closing ballad as the opener, among other adjustments. That makes no sense. But whatever the case, Lucifer's Friend's sophomore effort is much different than the debut. Whereas that album is a great example of German hard rock, Where the Groupies Killed the Blues is also a very nice representation of German prog rock, with touches of the former. Neither are Krautrock in the slightest. From here they went on to classic rock, and (apparently) a bit of jazz rock, though I haven't heard Banquet yet (see above). Strange band. And not really a good representation of the German scene of the era, though it appears American audiences appreciated them more at the time than some of the others. 

Ownership: 1975 Passport (LP)

7/23/23 (acquired / review)

Lucifer's Friend (1970)

If there's an album out there that clearly designates hard rock from Germany versus Krautrock, Lucifer's Friend's debut may be just that. For 1970, Lucifer's Friend paves the way for many German hard rock bands to come like Frame, Hairy Chapter, Night Sun, Gift, etc... Heavy organ and riffing guitar along with soulful, Uriah Heep-like vocals (from Englishman John Lawton) define the music. A truly groundbreaking effort that's a year ahead of the pack.

The cover is as creepy as they get, far outdoing those metal bands that try too hard for the same effect.

Ownership: 1970 Philips (LP). Embossed gatefold. 

6/4/23 (acquired / review)

I'm Just a Rock 'n' Roll Singer (1974)

This album has a major image problem. The cover, title, and band moniker are all wrong. And while it's true that the title song does have boogie rock components, it still features an excellent hard rock break. And it's not representative of the album on the whole. Only A2 is similar, and it too features a superb ending. The rest of the album is very good hard rock, and the last two tracks go completely prog, with mellotron and the works. This is only the second album I've heard by Lucifer's Friend, and it's far better than Good Time Warrior which I've already panned below. 

Ownership: 1974 Billingsgate (LP)

3/10/22 (acquired / review)

Good Time Warrior (1978)

I'm not really that familiar with Lucifer's Friend, though I know this is way past their prime. For all of side 1 and half of side 2, it's an embarrassing display of radio friendly boogie tunes. I mean, these Germans came from the same era as the Scorpions and had the right moniker to take it to the next heavy level. But they chose to sell out, and it didn't work for them at the time, and history will be even less kind. The final 10 minute cut 'Warriors' has some quality moments, leaving one wishing for more. A waste of yet another cool lady fishnet cover (remember Blister Chap?). 

Source: 1978 Elektra promo (LP)

12/2/21 (review)

6/5/23 (new entry)