This history of Putti and the Pole moniker helps explain how two albums can be so entirely different. The first album from Putti, Kotrill, is an avant garde mess, favored by those who worship at the altar of the NWW list. It holds nothing back in its experimentation, but is very difficult to sit all the way through. But on the followup Inside the Dream, we are treated to a more atmospheric and pleasant album. One that features fine synthesizer textures and excellent guitar leads. Rizet did help on this album, and he foreshadows his next move with Phillippe Besombes, a far more realized collaboration than Inside the Dream.
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