Hyjinx ~ USA ~ Oklahoma City, Oklahoma

Hyjinx (1982)

Wow! Wasn't this a pleasant surprise? From Oklahoma City, Hyjinx weren't your garden variety early 80s hard rock band. This is more in line with albums like Message (NM), Legend (CT), second album Granmax, and UHF. The opening two tracks are energetic with fast guitar solos, leading one to believe there's some Van Halen influence. A3 is a full blown proggy hard rock number complete with Taurus Pedals and keyboards. The vocalist is female, and yea, you will definitely be thinking classic Rush here. Long spaces are allocated to psychedelic styled guitar solos over the rhythm section.

Side 2 is slightly off the pace though still excellent. 'Greensleeves' is not a hard rock rendition of the traditional song, fortunately. Though a curious title for sure. B3 has riffing very similar to late 70s Judas Priest. Maggie Fagan's vocals are confident and powerful. She clearly could have been a headliner. The album closer is another nod to progressive rock. Starting in acoustic ballad mode, the music shifts to hard rock with some spiritual guitar soloing. 

Too bad these are the only recordings the band released, that we know of anyway. They had real talent. 

Not reissued in any format as 9/10/26.

Ownership: 1982 Packrat (LP). Acquired in 2026.

9/10/26 (review / new entry)

Cosmic Debris ~ USA ~ Oklahoma City, Oklahoma

Cosmic Debris (1980)

Cosmic Debris were a band from Oklahoma City that married electronic sequencer based music with rock instrumentation such as guitar and drums. Very much like a mixture of Klaus Schulze's Moondawn with Edgar Froese jamming on top. Or Wolfgang Bock's Cycles album. Side 1 is made up mostly of 'Spectrum' with only a brief introduction of Aaron Coplan's generally overused 'Fanfare'. This is the only side that guitarist Shawn Phillips appears on. And he wails wonderfully in a psychedelic manner throughout. The flip is more atmospheric, though the driving drum set is still in place, with sequencer based Moog, atmospheric sounds, and percussion, recalling perhaps late 70s Jade Warrior in places. Mixed with Heldon. Cool.

There are no reissues (as of 2/21/25). There's some debate on the date and title of this release. The copyright date on the original LP is 1980. However there are two typed inserts (with my copy anyway - and I reprinted them below this review). One is dated 1.1981 and the other 1.1.981, so we'll presume bad editing on the latter... So the evidence is there that the album wasn't released until 1981, though I'm personally a fan of copyright dates. Depends on the discography site and their rules eh? Based on these inserts, it's pretty clear to me, that the 3.7K title that has recently been appended this album is in reality the catalog number, not the album title. This becomes even more evident once you realize their second album While You're Asleep has 4.6K as a catalog number.

Insert #1 (dated 1.1.981) says:

"Cosmic Debris Biographical Information

Cosmic Debris was founded in 1977 as an experimental synthesizer ensemble. From their first performance at the Friends Jazz Festival in July 1977, Cosmic Debris has constantly strived to bring subtlety, elegance and control to live electronic music. Cosmic Debris has expanded beyond strict electronic electronic horizons. In 1979, the ensemble performed in the fusion jazz format. Growing out of that format, Richard Bugg (founder of the Debris) and Joel Young (percussionist with the fusion jazz edition), have gone on to incorporate elements from all musical areas.  "We present the listener with a choice of ever changing perception of reality". The Cosmic Debris can be heard on Non Compos Mentis Records number 3.7k"

--- It should be noted that the above was riddled with spelling and grammatical errors which I attempted to fix (not that I'm an English ace or anything, but jeesh!)

Insert #2 (dated 1.1981) says:

"In their debut album for Non Compos Mentis, Cosmic Debris (Richard Bugg, Shawn Phillips, and Joel Young), have managed to fuse the control available to modern electronic musicians, with the freedom of expression that typifies contemporary music. The result is a true meta-language that express the positive power of emotion and mind. An intelligent sound that aggressively fuses pulsating undercurrents of raw power with an intricate interplay of sonorities."

--- This one needed little editing. But who the heck knows what it means? 

Ownership: 1980 Non Compos Mentis (LP)

1993 (first listen); 10/14/15 (review)