Everything I love about the debut is magnified and enhanced on their second and final 70s album. They cut the excess (lengthy solos, including the worthless drum bit) while increasing the complexity, the instrumentation, as well as the melodic content. Regarding the latter, an incredible
450 themes were incorporated into these compositions. The end result is nothing short of
astounding. I often read reviews where the opening 14 minute title track is mind blowing, and the remainder trails off. I agree with the assessment of the first track. However the album actually
improves from there. The shorter tracks allow even more ideas per second to flow through. In fact, I'd say the two best tracks are the ones they chose for a single ('Funny Doll', 'Cauchemar') which I've included in the images above. MGP can do no wrong it seems. Overall, I find the album highly memorable long after the music has stopped. Considering the complexity, that's an extraordinary accomplishment. Most of these complex instrumental albums, especially in modern times, are cold and clinical. Moving Gelatine Plates proves that does not have to be the case, and should be held up as a role model for future generations.
Most everyone has a favorite album. This is mine. A perfect 100 out of a 100.
Depending on my mood, I could also say the cover is my all-time favorite. It's completely captivating, and appeals to my sense of humor.
Ownership: LP: 1972 CBS. Single sleeve. Online acquisition from a dealer in France (1999).
CD: 1993 Musea. Jewel case. Includes a full history. As bonus tracks they complete the Moving (1980) album that they started on the first album.
1994 (first listen); 1/24/13 (review/new entry)
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