OK, now we're getting to the heart of the matter. I would say their four albums from 1977 to 1981 are where I'm going to have the memory synapses firing off. I owned all four on LP, most purchased real time or shortly thereafter. As noted at the beginning of this post, I hadn't heard the debut prior though I thought I had. Looks like Allied Forces was released in September, so this would be the beginning of my junior year of high school. The tail end of my interest in this kind of commercial hard rock. Per their protocol, they start with a rather mundane try for a radio hit. 'Magic Power' has more than a slight resemblance to Rush, a parallel one can make throughout their respective careers. Then the title track gets us to where we want to be with Triumph: Barn burning hard rock with a few more ideas than your garden variety bonehead act. Then back to boogie rock, which is always dull. Their proggy heritage comes out again on 'Fight the Good Fight', another Rush-like number, with a killer mid song riff. They continue to keep their brain switched on with 'Ordinary Man'. The album closes as it starts, a hedge bet to keep the label execs happy. No matter, I was already sold.
Ownership: 1981 MCA (MC). I'll get this on LP next time I see it cheap in the wilds.
3/8/25 (review)
Never Surrender (1983)
On my review for their 1976 debut, I proposed that I might be in for a Triumph renaissance. Even their 1987 album Surveillance had me looking upwards (though not enough to keep, mind). This one I thought would grab a nostalgia pull since it was released at the second half of my senior year of high school, a bit late where such occurrences might happen. So did it? Sort of. Like with Rush, Triumph had started to become toothless as the 80s rolled on. They didn't go synth pop like their Canadian contemporaries, and stayed with power pop rock. Their prog heritage does show up here and there, but not enough for me to stick in a tape drawer. Still, I'm rating this higher than I had prior.
Source: 1983 RCA (MC)
1/30/25 (review)
Surveillance (1987)
Keeping with my promise below, I'm starting my retrospective of Triumph. Eleven years from their debut, and after many years of radio success, what could Triumph possibly offer at this late date? Def Leppard apparently. Naw, it's better than that band's later works but it's essentially the same kind of juiced up commercial hard rock. Kind of a last hurrah from Canada's other finest trio (Rush being the other of course...). By 1987, Triumph were irrelevant, but at least they gave it a respectful try.
Source: 1987 MCA (LP)
10/14/24 (review)
Triumph (1976)Triumph's debut is one of those odd albums where the beginning of each side is the dud track, and each song thereafter is better than the last. Somewhere along the line I thought I'd heard this debut back in the day but I hadn't. This album was never released in the US. Some of the songs were via the Rock & Roll Machine compilation (which I did hear), but not the album itself.
Even if I had heard it, my tastes have changed to really appreciating this type of hard rock. The inauspicious openers are party rockin' bar n' roll. No thanks. After that though, you'll hear influences such as Pink Floyd and Jimi Hendrix (Frank Marino probably). But perhaps most relevant is fellow Toronto heroes Rush. By the end of each side, Triumph shows a proggy heritage, with both 'Street Fighter' and 'The Blinding Light Show' being the highlights. Plenty of synthesizer on here too. It's time for me to revisit all of the Triumph works. I suspect my viewpoint will be far more favorable than it was in the 80s.
Ownership: 1976 Attic (LP). Blue label original.
6/7/24 (review)
6/8/24 (new entry)
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