Il Volo's debut is largely an extension of Formula 3's final album La Grande Casa (before regrettably reforming into something decidedly non-prog rock in the 90s). For that album I wrote: "The album sounds exactly like the cover looks. It's pastoral, a bit poppy, and often times very beautiful. No manner of rationalization will likely raise this to masterpiece status, but that doesn't mean it's not a pleasant album. It's very much in league with what was going on in Italy at the time, and you can hear elements of this same sound on the debut by Il Volo, which Formula 3 rolled up into. I would only recommend this album to hardcore fans of the genre, and not as a starting point or early recommendation. Go in calm, and you will leave calm. And with a smile on your face."
And that review applies here. The primary difference is Il Volo does amp up on occasion. The first track is a powerful opener and encapsulates all that is great about Italian prog in general. Some of the singer songwriter bits are a bit much to endure, but overall I'm always reminded of the Mediterranean Sea when hearing this album. A long time favorite at the UMR HQ.
In fact, Mrs. UMR joined me for this listening session and gave her approval as well. We also listened to Le Orme's Uomo di Pezza in full, and she's now claiming to be a fan of Italian progressive rock. After 26 years of marriage it's starting to sink in. That's what it takes sometimes lol.
Ownership: LP: 1974 Numero Uno. Gatefold. Was purchased at VVV in Dallas (1988) along with many other treasures of my collection. Plan on keeping this till the end. Let someone else sell it... The cover is one of my favorites and is always featured on my "wall of albums". That's why the wife wanted to hear this and Le Orme, as she was curious of the sounds underneath the artwork.
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