Under the Dome on their debut The Demon Haunted World combine haunting and desolate atmospheric tones with crunchy and wedgy sequences. Each of the 4 tracks navigate through a variety of moods and textures, and in that way, are almost progressive rock like. I found the shorter tracks (short being a relative term here) to work best, like the thumping Moog Modulater (simulated) opener 'Flüssiger Vier-Takter' (8:34). The third piece 'The Bridge' (13:35) starts off in tranquility mode, but eventually the sequencers arrive to ensure this isn't going to be a waltz in the park. The appropriately named closer, 'Hell' (24:00), has some of the darkest textures since Klaus Schulze's Cyborg. I was hoping for a sequencer blitzkrieg to burst out of the depths, but they stayed mostly subdued and mid-tempo throughout. Worth noting there is quite a bit of guitar here (no real soloing though), adding much needed color to the usual barrage of electronic keyboard equipment. All in, The Demon Haunted World is a finely crafted Berlin School album.
Ownership: CD: 1998 Neu Harmony
7/22/16 (new entry)
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