For my tastes, Dün's Eros is most certainly a Top 75 album ever. Maybe even Top 50. There are tons of reviews out there already that will provide you all the detail you could possibly want about this album. I think it's a bit miscategorized as a Zeuhl album, which seems to be the main source of the detracting vote. While those elements are present (primarily represented in the bass work), I think the album is truly unique. Instrumental Frank Zappa, and the Canterbury scene also get call-outs, but again these are faint references rather than direct influences. It's complex, very complex in fact - but also very melodic. And it rocks hard in places, so it's not an academic snoozer. About the only album I can think of even close to Eros is Picchio dal Pozzo's 1976 debut. Not that they sound alike, but rather they both attack music composition in an entirely unique way. Music like this is wonderful to my ears, as each listening session provides a different result. Truly a brilliant work of art.
Ownership: LP: 1981 private. Single sleeve. Mail order acquisition (1992).
CD: 2000 Soleil Zeuhl. Jewel case with history and four bonus tracks
LP: 2012 Soleil Zeuhl. Single sleeve. While purists scoffed, I was pleased that Soleil Zeuhl altered the look of the reissue ever so slightly, which gives the release a uniqueness about it. Some examples include: The lettering is gray instead of blue; the top "frame" line has been removed; a different photograph on the back cover; and the band name and title are now on the spine. The LP also comes with an insert, a download card (to retrieve the detailed CD booklet and bonus tracks), and is pressed on white vinyl. A great package overall.
Musea had announced their intention to reissue the album on CD as far back as 1991, but they apparently had trouble locating all the members. After many years of waiting, it was Soleil Zeuhl who finally stepped in.
1992; 11/20/12 (new entry)
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