Crosswind (1978)
Starting with an obvious funk groove, Crosswind quickly shifts into a kinetic fiery fusion with the guitar way out front. He plays in a highly melodic fashion, making these songs much better because of it. Space Circus at the time of Fantastic Arrival is a probably a good place to put your mind before setting this on the turntable. Return to Forever and Santana would appear to be references for the talented band. I'm sure Billy Cobham as well given their moniker. Keyboards are provided by a female, an unusual twist to the usual all-male groups of the genre. She brings more of an atmospheric approach rather than the chops heavy style of the guitarist. Considering the melodic approach to jazz rock, Crosswind could be considered a precursor to Kenso, minus the flute. A splendid album, and a must for fans of Japanese jazz fusion.
Ownership: 1978 Elbon (LP). With insert in Japanese.
3/14/16; 5/26/17 (acquired); 10/27/25 (review)
Crosswind would release three more studio albums and two archival live albums. I have not heard any of them, but wouldn't pass up an opportunity to do so.
10/27/25 (new entry)
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