Ginga Rale Band - Wir Bedauern… 1980 Austria

Ginga Rale Band's debut was one of the great discoveries of the CDRWL. To the best of my knowledge, it hadn't been uncovered to that point (well, take that back, our friend Lev in Russia had first presented it on RYM). I never saw it in any catalogs prior. Not long afterward, Alan Freeman got a hold of a copy, and also sung its praises to a much larger audience. This was another AC discovery, of which he has a great talent for. Let's go back down memory lane. From the CDRWL:

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The AC introduced them to me this way: "Led by keyboardist Pipi Furz and guitarist Rainer Hochrainer, this virtually unknown Austrian group conjured up something truly amazing here. The backbone of their music is a kind of loose progressive jazz-rock of the distinctly "kraut-fusion" variety, but that doesn't really tell the half of it. Long, sprawling tracks unwind in a non-linear fashion, with all sorts of unexpected twists and turns, bizarre vocal interjections and sonic detours, creating an unsettling and distinctly surreal atmosphere that hovers over the entire album like a weird mist. Wild, reckless creativity and delirious imagination abound, entirely at odds with the standard funky fusion and symphonic prog that dominated the Germanic scene of the time. These guys were on too strange a trip to ever think about compromising or playing it safe, describing themselves as a "Dada Rock Brainstorming Cooporation" right on the cover. If this album had come out of 1972 Berlin, it would already be legendary. But emerging from this particular time and place, it never really had a chance. A lost krautrock classic if there ever was one."

We've said this many times before, but it can be somewhat mind-boggling that an album this good can be so deeply buried for so long. We've certainly turned up albums that are just as rare - but they may be more obviously flawed or teetering on the fringes of the genre we love. But Ginga Rale Band's debut is the kind of album that is likely to have wide appeal. After hearing it for the first time, I wanted an original LP immediately. I braced myself for the inevitable sticker shock. That collectors knew about it already, and the proverbial arm and leg was the asking price. But I was pleased to find one online for under $100. Not cheap to be certain, but it could have been 10 times that for all I knew. It took a long time to seal that deal, and thus the extended delay from point of first hearing until reporting here.

As any reader of the CDRWL knows, there were dozens of Kraut fusion albums from the late 70s and early 80s. Some are slick and tedious, others had a raw edge that is highly appealing. But Ginga Rale Band took it a step further concerning the latter point. Not only is it raw and complex - the music is incredibly unpredictable and exciting - but there's also this dark haunting cosmic angst that conjures up images of Tangerine Dream's Electronic Meditation and Ash Ra Tempel's Schwingungen when there are screaming voices present. Wir Bedauern... gets wilder and freakier as it goes, almost always a hallmark of a great album.

It would seem obvious the name was a play on the ginger ale drink. And that's been confirmed. There's actually a page on the web about them. The AC took this a step further and added these historical notes: "My German is nonexistent, but with the (somewhat dubious) help of Babelfish, I was able to determine that the band was founded in 1977 in Salzburg as the "Ginger Ale Band". In 1980 they changed the name to Ginga Rale Band, and released "Wir Bedauern...". It seems their "dada rock" concept saw them producing some sort of stage show with film projectors, additional actors, etc, (syncs up with the Austrian guy on RYM who said something like "They held nice open air festivals..."). It seems like after this there were some major line-up changes, and the band took a totally different direction. As you can see on the discography provided by that site, they produced a couple of (presumably private press) singles, which seem to be tied in with some kind of rock opera named "Rock Dream" that they were involved in. I checked around and amazingly found one of these tracks posted on youtube! As you can hear, it's angsty punk/new wave oriented stuff with female vocals, totally at odds with their earlier material. I think this is down to the line-up changes that I mentioned, and this brings up another interesting point. It seems that after "Wir Bedauern...", the band mostly became a vehicle for Hochrainer and his wife. In fact, it turns out that "Rainer" Hochrainer was actually named Paul, and you can also see his rather extensive discography (extending up to the current day) on that site. It turns out that Hochrainer and a couple of the other Ginga Rale guys actually guested on the first Aardvark (the Austrian one, obviously) LP, an album I remember hearing a long time ago and not liking at all (stylistically all over the map, from what I can recall). Anyway, after these singles they made an appearance on an obscure Austrian new wave/punk compilation under the name of "Friques Ginger Rale Band".

This sort of punk attitude unfortunately carries down to the track titles on "Wir Bedauern...", and represents the only problematic aspect of the album. There are only two tracks per side, and none are actually listed on the record label itself. But the back cover is clear on what those titles are. I spent many years of my career heavily involved with Human Resources, so I shudder at seeing the N word. It's not clear why they use this title twice (even though they are different songs). The album doesn't appear to be racist in any way, and the content is almost entirely instrumental. I would imagine any kind of reissue would have to at least address this within the liner notes or even a renaming of the title(s). Some may say we are all too politically correct for our own good, but I could see many more folks being just flat out offended by it (including me frankly).

Back to The AC's historical notes: "Finally, in 1984 "Information" was released, and then it seems they disbanded. I had heard that this later LP was in a Germanic polit-rock/agit-rock style, but based on the album's entry on that site and the style they had already been playing in for the past 3 years, I'd say it's probably more like a new wave/agit-punk mixture. Obviously well outside our interest area, in any case. Anyway, I haven't been able to find any useful links to this point, but I'm hoping that Hochrainer's relatively recent musical activity would mean making contact with him is still possible, hopefully leading to some interest in a Ginga Rale Band reissue or archival release."

Ginga Rale Band is a bulls eye for those that love the German Kraut fusion style, with the added bonus of successfully re-creating the atmosphere of the edgy cosmic Berlin-styled Krautrock of 1971. Amazing find.

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A very thorough introduction, I'd submit. Last night I heard the album for the first time since those exhilarating moments. My opinion has not changed one bit, and I could easily justify my high rating. This is exactly the kind of music that I've been seeking out these last 40+ years. It's always exciting when you find that treasure. Those moments never go away. Sometimes the music loses its luster over time, but that's not the case here.

Ownership: LP: 1980 Reibo. Single sleeve. Acquired online, as noted above, from a dealer in Switzerland (2012).

Still no reissues. I did learn something interesting this morning though. While pulling down the photos from Discogs, it's clear there are two pressings. I started to correct that entry, but it involves the Freemans, and that usually gets into a dispute, so I changed my mind. Though in this case I would back them up. If you go to Discogs, you'll see the face of a girl. The entry says "photo with better contrast". Oh no. It's not a contrast issue, the face just doesn't exist. It's been blacked out! Which tells me the one on Discogs is probably the first press and her face portrayal was unauthorized (making it probably even rarer). Steve Freeman's image is still there, and that's what I'm showing here. Also, my copy's labels are darker, though that could very well be a lighting issue.

2/19/12 (first listen / review); 1/16/24 (update / new entry)