In 2006 I wrote the following (slightly updated):
Zao's first and, arguably, best album. The first and last tracks are the most challenging, especially when considering the operatic scat vocals, which can be a soprano shriek or a frightening guttural growl. They're a bit more abrasive and experimental on these bookend tracks than what is found on the rest of the album. Joel Dugrenot shows off his bass chops worthiness here and gives Top/Paganotti/Moze a run for their money. My-Troung is outstanding behind the kit trying to keep up. Cahen and Seffer can carry any melodic line, and it's just this characteristic that makes the album special.
Ownership: LP: 1973 Vertigo. Gatefold. Online acquisition (2020).
1987 (first listen); 1995; 3//06 (review); 2/14/23 (update/new entry)
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Last night I heard this for the first time in 17 years and Z=7L continues to impress. Also it occurred to me while listening that this album sounds like Embryo (especially with Maria Archer) trying their hand at Zeuhl.
Ownership: LP: 1973 Vertigo. Gatefold. Online acquisition (2020).
CD: 1993 Musea. Fine reissue that includes historical liner notes, though no bonus tracks.
My first copy was the single sleeve Cryonic reissue purchased back in 1987, which was replaced by the CD above. It's been said that the title Z=7L is a play on the word Zeuhl.
1987 (first listen); 1995; 3//06 (review); 2/14/23 (update/new entry)
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