Stereolab for me represents a period of life, that which we called the dotcom era, or even Y2K. There was a magical feeling around that time which for me included marriage and a major career trajectory in the IT industry. Even though they are from England, I always think of California when I hear this era of Stereolab. While Emperor Tomato Ketchup remains my favorite by The Groop, Sound-Dust has proven to be one of their better efforts during this time. With a band like Stereolab, it's more about each song than the album proper. They had a special way with crafting melodies and injecting retro sounds into an obvious modern framework. Oftentimes you'll hear names like Bacharach, Free Design, and Neu! when describing their sound. Back then I didn't know Sergio Mendes and Brasil '66, but it becomes obvious that one of their key ingredients was lifted from this great band. That of the dual female vocals, one of which may be lalala-ing while the other sings (in French or English). So yes, Lani Hall and Karen Philipp each get an assist here. For me highlights include the second half of 'Captain EasyChord' (seems to be a consensus favorite), 'Double Rocker', and 'Naught More Terrific Than Man'. It's a Time and Placer, that's for sure.
Ownership: CD: 2001 Elektra. Purchased new at Rasputin's in Newark, California (imagine that?) one year after release. Timing on this revisit is fascinating, as it's possible I may be returning to the Bay Area part time again, just as I was from 1998 to 2002 (maybe). In any case, I won't be revisiting this Rasputin's as they closed about 3 years ago. Berkeley, Campbell, and Pleasant Hill were my go-to stores back then though, and they're still open.
3/17/02; 1//15; 6/14/22 (new entry)
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