Windchase - Symphinity. 1977 Australia

Symphinity is an album of great inspiration. And it never fails to do that for me, after nearly 30 years of familiarity. As with any of our favorites, there's usually a time and place aspect where the music had a profound impact that lasts for a lifetime. In my case, it came via a listen in early 1993, in a particularly low moment. Symphinity brought me back to my usual enthusiastic state. As I tell people sometimes, my therapy sessions exist inside my album collection. No need for outside counsel.

Right from the beginning, it's clear that Mario Millo finds his own inspiration with a one Carlos Santana. Opener 'Horsemen to Symphinity' is one big goosebump moment. Just a gorgeous piece of music. And it never lets up from there. Windchase is more fusion oriented than the laid back symphonic of Sebastian Hardie, and it's that extra energy that propels the band to its greatest heights. Of course, Yes remains a major influence with Windchase. So if the idea of Santana's Lotus meeting Yes' Fragile sounds good to you, then Symphinity is an easy recommendation.

And while here, let's address the elephant in the room: 'Glad to Be Alive'. This has to be one of the most polarizing tracks in all of progdom. With just about anyone else, the song would have to be characterized as saccharine pandering to the masses. But Mario Millo is as authentic as they come, and he wears his emotions on his sleeve. And through his music. If we could put aside our cynicism for a moment, then the beauty and powerful message of the song comes through. Even if you can't bear the chorus, it's still mostly an instrumental track of great invention. For me, it's just one more example of why I find the album so inspirational. 

Ownership: CD: 2011 Belle Antique (Japan). Papersleeve edition that replicates the original cover to the finest detail. It contains one bonus track, a live version of 'Horsemen to Symphinity', recorded in 1998. It's an excellent rendition though it does contain a needless (and mercifully short) drum solo. I know these Japanese mini's often get derided for their sound, but this CD is just splendid. It's a beautiful sounding release. This version replaced the 1992 Crime (Japan) jewel case CD where I was first drawn to the album. 

LP: 1977 Infinity. Online purchase sometime in the 1999/2000 time frame. I definitely wanted the original as a supplement, and the gatefold cover is awesome. Even to this day, the album remains stubbornly cheap and easy to find. Essential purchase for those who want an original prog LP collection, but are on a budget.

2//93; 11/21/11; 2//12; 8/26/21 (new entry)