Interesting Zeuhl styled album from Chicago. The pounding rhythms, the driving bass, chirpy keyboards, haunting organ, and overall martial style are certainly hallmarks of the genre. Lindsay Powell's vocals, however, are a bit tough to take. She doesn't sing, she doesn't chant, she doesn't hum, she doesn't recite - she just caterwauls - in whatever key she feels like. I love just about anything in the Zeuhl genre, but this one is a bit of a slog. Also, the thuddy bass-heavy production is another problem. It's very good, but somehow it seems it should be better.
Personal collection
LP: 2011 Captcha
Subscribe to:
Post Comments (Atom)
Bwana ~ Nicaragua
---10/6/07 You can practically count the number of great progressive / psych albums from Nicaragua on one finger. And here it is. But their ...
-
As noted in the Happy New Year note, I have a new blog that carries most of my 45 / SP notes. Its focus will be on obscure 45s in genres I l...
-
Yokota was the flutist on the Love Live Life + 1 album (I always presumed he was the "+ 1" but I'm not sure of that). He was ...
-
For years, I used to joke that Providence were the Night Ranger* of Japanese prog. It was always meant to be a lighthearted stab, an in...

No comments:
Post a Comment