The first two tracks on Tutto Deve Finire are instrumental jazz + rock with squonking sax, a driving rhythm, and a general sense of abandon. I'm reminded most of Duello Madre at this point. The remainder of the album is more geared towards the early Osanna sound (L'Uomo in particular) with wailing flute, crunchy organ, loud guitars, and super vocals in Italian. 'Dimmi Padre' is definitely the highlight, a composition that could have been lifted right off of Raccomandata Ricevuta Ritorno's excellent album. It's the classic Italian progressive rock sound, and done so well here.
Ownership: 2002 Akarma (CD). Tri-fold Karma-Pak. Liner notes in Italian. Acquired in 2010.
First copy: 1994 Mellow (CD)
5//05; 1/8/10 (review); 7/20/16; 12/4/21
Paride e gli Stereo 4 - Naufrago in Città (1971)
Naufrago in Città is an interesting album from 1971 that supposedly was recorded before La Seconda Genesi's classic. One of the rarest albums on the planet (as is Seconda Genesi), but it's not really progressive rock, so definitely prepare yourself for the proper expectation. The music is all instrumental, and is primarily acoustic guitar with flute, and some organ accents. Very pleasant, and at times, recalls Era di Acquario's more serene moments. A fine album.
Ownership: 2002 Akarma (CD)
Ownership: 2002 Akarma (CD)
5//05 (review); 7/20/16 (update); 12/4/21
1/8/10 (new entry)


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