Just as wacky as the group's own provenance is that of the music itself. That which is as eclectic as one will ever hear in the mid 1970s. Opener 'Marmalade Sky' is a cool little funky horn rock number sounding like it's 1972 all over again. And the vocals are in that mumbled unintelligible English style (or perhaps Japanese, who can really tell?) similar to maybe The Far East Family Band. 'Samui Kisetsu' follows and is also seemingly from an earlier era, but more towards the hard rocking / early progressive genre. 'The Ballad of Billy' goes for the blues, but still contains some fine soloing. 'Tabi No Fukidamari' is similar but considerably more dull, and represents the sole skip over track here. 'Time Out' is the square-on prog track here, and sounds every bit like a German symphonic band circa 1976. I'm thinking SFF here and the highlight of the album for me. The lengthy closer also has some great progressions, though it's longer than it needs to be truth be told.
In the end, Early Times is an album without obvious comparison, though it by no means goes out of bounds anywhere either. A truly intriguing piece of art. One that requires repeated listens. Worthy of reissue status for certain. And what about that first album, fellas?
Not reissued in any form as I write this. And originals are hardly plentiful. It's a private press from Japan when such a thing was practically unheard of.
This was the last of The AC's submissions from early 2015. I have not heard from him since. He left as he came - shrouded in mystery. What I most appreciated about The AC was his ability to filter and discern the best of the obscurities. There's tons out there, and many aren't worthy of discussion.We didn't always agree, but we saw eye to eye on music more than most anyone else I've encountered. Hopefully he will resurface again!
In any case, here were his notes to us: "Not to be confused with the contemporaneous Early Times String Band (a Japanese 70s folk-rock ensemble that has become slightly better known due to a couple of reissue/archival releases), this incredibly obscure album was the second effort of a local Sapporo based group. Their first is so rare that, while it must exist, has apparently never been glimpsed a single time by even the most hardcore Japanese collectors after all these years. All that aside, what we have here is a very interesting anachronism that sounds more like an underground Japanese take on early 70s British proto-progressive styles than anything else. Even the Monty Python-esque cover art seems to point in that direction. It kicks off with with an extremely cool horn rock-ish affair, featuring vintage organ, electric piano, funky percussion and psych guitar backed by a female chorus to great effect. This is followed by a lengthy proto-prog style guitar/organ led jam that slowly builds in intensity, with some great soloing. The rest of the first side then kind of puts on the breaks, with a couple of slow blues rock pieces that still have a very palpable early 70s UK feel to them. The second side starts with another gradually building instrumental jam, that eventually hits an awesome groove while the soloing breaks out overhead, before slowing down again into a more pensive mood. We then reach the real climax of the album, with the nearly 13 minute long final track. Building slowly once again (a hallmark of theirs, it seems), this starts out in a jazzy/bluesy horn rock mode, then builds in intensity as the soloing picks up and the vocals join in again, ending in a long crescendo of bluesy psych guitar soloing over the horn rock/proto-prog style jamming. Great stuff, and the whole album has a very loose, underground sound and vibe that is just flat out cool."
No comments:
Post a Comment