
Well, well, look who's back? I would not have thought of Fusion Orchestra that's for sure. Original guitarist Colin Dawson reformed the band, with 4 new players involved including the all important ingredient of a female vocalist - this time performed by the lovely Elsie Lovelock. Despite the new membership, the band sounds very much like an updated Skeleton in Armour, which is all one could - perhaps should, given the moniker - hope for. Lovelock's vocals retain that husky soulful jazzy tone that Jill Saward brought forth in the early 70s. And it's nice to see Dawson continue to carry a psychedelic sound in his energetic guitar playing. On the keyboard front, Ben Bell, it appears, has decidedly gone with modern gear - much of it representing the sounds of the past, so he has successfully accomplished what he set out to do. The compositions could have easily been composed in 1974 for a followup album, and I'm not sure I could pay a higher compliment than that. 'Cider Sue' is my favorite of the three main 10+ minute tracks presented. Certainly the material has a modern edge to it, and it would be unrealistic to expect different, but it seems a natural progression for the band, and does not come across as forced or contrived. Had this been a new band from 2013, that no one had heard of prior, I think it would be well received by fans of modern progressive rock. It's a tragedy this one escaped notice. Don't miss this one.
Ownership: CD: 2013 Patchwork Studios
9/2/14 (new entry)
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