Thursday, February 23, 2012

Nine Invisibles - Soundbombing. 2000 England


About a year ago we featured an excellent space rock / festival band called Ship of Fools. Nine Invisibles is Ver 2.0 of Ship of Fools. I had picked up Nine Invisibles' debut Pureheadspace not long after it was released in 1997, but Soundbombing was an album that never made it to these shores back then. In fact, other than money maker Porcupine Tree, this album was the last hurrah for the great UK psych label.  By this time, almost all CD's on Delerium had an electronica/techno angle to their sound - and quite frankly I think they lost their core audience because of it.

So when The Laser's Edge managed to secure a copy recently, I jumped on it. What separates Nine Invisibles from your garden variety techno dance act is the synergy of having a multitude of people involved, along with the occasional use of analog instruments (guitar, bass, flute, etc...). In this way I'm reminded of another space rock band that incorporated techno into their music late in their career: Mandragora on their final release, Pollen.

Sold CD

2/23/12 (new entry); 2/17/22 (removed from collection)

Sunday, February 19, 2012

Omnia Opera - Nothing is Ordinary. 2011 England


Here is Omnia Opera's long anticipated reunion, an album that was released well over a year after being first announced. Reunion albums are always a dicey proposition. It seems very few bands from the 1970s could ever get it right. As if they never understood why they were popular in the first place. But 1980s groups fared much better, and I think that's because of the circumstances from which they came about. In many cases, bands in the 1980s languished in the underground for years and years, with only their ardent supporters in attendance along with a dedicated-to-the-music-genre magazine press. Heavy metal groups were the most prolific, but on a lesser scale space rock, psychedelic, and progressive rock bands toiled in the small dirty clubs, and sold a small amount of LPs and later CDs to their fan base. Other than in the metal genre, the sales were too small to make a living at it, unless one wanted to remain a pauper their entire life.

With that in mind, Omnia Opera has really set the bar high for reunion attempts. The band went all out with a sprawling 2 CD set. Generally that's not appealing to me - presenting far too much music, and usually far too much filler. Two hour CDs are like 3 hour movies - they can be a slog to get through. Well I have good news for all of you here: There's not a moment wasted through the entire duration. It's as if they had spent the last 14 years putting it together. All the trademark sounds of classic Omnia Opera are on display: Heavy psychedelic guitars, thundering bass, active drumming, impassioned male and female vocals, and of course the cosmic keyboards. All the tracks are thought out, and present plenty of twists and turns to keep it exciting.

Ownership: CD: 2011 Umbilical. 2xCD cased in a large heavy duty digi-pak, resembling a mini-LP. My copy also comes with a postcard that was addressed to me by the band.

2/19/12 (new entry); 8/31/19

Tuesday, February 14, 2012

Lunar Dunes - Galaxsea. 2011 England


On their second album Galaxsea, Lunar Dunes go more in for atmosphere and less for pyrotechnics. On a first listen, I was slightly disappointed, but the album has grown on me quickly. Track 7 'Free to Do' is a perfect example of the sounds of the album. Exotic female voices, fuzzed out psychedelic guitars, tripped out effects and post-rock like jazzy rhythms. Excellent band who have managed to create something entirely new within a familiar context.

Ownership: CD: 2011 4 Zero. Digifile

2/14/12 (new entry); 5/3/18

Monday, February 13, 2012

Electric Orange - Netto. 2011 Germany


In 1993, Electric Orange almost single-handedly restored the cosmic Krautrock genre back to greatness (with the exception of some truly obscure outfits like Attempt to Restore, Nova Express, and Der Kampf Gegen den Schlaf). They took a detour shortly thereafter into the realms of electronica, realized the error of their ways, and returned back to form in 2001 with Abgelaufen!. Since that time, Electric Orange have gone from amateur to professional status, added more band members, and have released a number of quality albums with consistency.

---9/17/24

I've gone back and forth on this title, but in the end, it's too static for my tastes. A lot of rumblin' and bumblin' but it never seems to take off or go anywhere. It's a fine effort for developing a particular kind of atmosphere, yet I couldn't identity what that is.

Former ownership: CD: 2011 Sulatron. Standard jewel case.

2/13/12 (first listen/review); 8/18/22; 9/17/24 (update)

Wednesday, February 1, 2012

Rob Thomsett - Yaraandoo. 1975 Australia


I'd like to type out some of the liners from the LP reissue. If this doesn't get you going, not sure anything else I say will. I wish I could write like this! "Australia's burnt landscape is sketched in hypnotic washes of Moog oscillations, Bamboo flutes and tape delay. The 40,000 year-old sound of antediluvian Aboriginal folklore is channeled through Mellotron, dilatory jazz guitar solos, and Avant cross rhythms, all symbolizing the harsh and isolated landscape of rural Australia. Yaraandoo is a bold sound exploration never attempted this adventurously again with this country." Wow!

This is one trippy album, I'll tell you that. And there's some Canterbury like grooves mixed in here too and you'll hear a couple of Nucleus / Soft Machine style runs. One thing to note - Thomsett assembles no less than 9 people to play on this album. This isn't a private bedroom affair, but a full scale psychedelic work. This is one of those six dimension type albums that I love so much. The real-deal freaky underground. You'll recognize the pioneering field tapes of Agitation Free's Malesch and the otherworldly-ness of Algarnas Tradgard. For my tastes, this album is genius.

Ownership: LP: 2011 Roundtable. Single sleeve.

CD: 2017 Now-Again w/ Hara (USA)

2/1/12 (new entry); 3/24/18

Hills - Master Sleeps. 2011 Sweden


I felt Hills on their debut showed a lot of promise and that they'd captured the spirit of the original Krautrock movement very well. Master Sleeps shows the band moving more towards the trendy, post-rock motorik side of the house with the familiar steady 4/4 Can/Neu! styled beats. The title song underscores this tactic. On other tracks you'll hear the "wall-of-sound" fuzz guitar overload ala classic Hawkwind. I'm fond of all these bands, but I was hoping Hills would explore new regions of the genre, or at least walk down the road less traveled. So for me, even though I still recommend Master Sleeps, I do think the album is a bit of a step back. I definitely miss the flute, an instrument that greatly extended their range. 

Former ownership: CD: 2011 Transubstans. Jewel case with art booklet.

2/1/12 (first listen / review / new entry); 1/25/24

Daily Journal Posts are now Complete

---2/5/25 2023 is now complete and so is this project. I'm caught up to the present day and 2025 journals are being built real time. 202...