Steve Maxwell von Braund - Monster Planet. 1975 Australia
1975 Clear Light of Jupiter
CD reissue: 2013 Aztec
LP reissue: 2013 Dual Planet
Release details: The album was pressed in a quantity of about 2000. Braund wasn't too keen on the cover design (nor the von designation), and so he had approximately 500 of the albums reprinted with a more favorable cover (to him at least), and that's the second photo you see (and the liner notes of the CD go into great detail about the issues surrounding the cover). Originals have always been scarce, and the album generally sells between $100 and $150. So convincing was the German styled cover design, that when I first read about the album from a catalog in the mid 1980s, it was simply listed as Monster Planet on the Cosmic Couriers label. For many years, dealers told me such an album didn't exist. And finally the puzzle was resolved for me, and eventually I bought the LP about a decade later (original cover). Then a few years ago, it was announced that Aztec would reissue the album on CD, following on their successful reprinting of Cybotron's "Implosion". Shortly after that, Aztec went bankrupt, and it appeared the opportunity had been lost. But as announced on the CDRWL, Aztec reemerged, though in a somewhat confused state. Fortunately Greg Walker has been successful in bringing in the Aztec CDs, but who knows for how long. If you are interested at all in these albums, now would be the time to get them while there's still some availability. Both the Aztec and Dual Planet reissues replicate the original cover (this presumes, then, that Braund has reconciled with it). The CD also features a very telling 14 minute radio interview from back then. I did have to admit wondering why Aztec would reissue such an obscure album, especially after falling into financial trouble. And the answer is provided in the extremely informative liner notes: Label head Gil Matthews plays bass and drums on the album!
Notes: "Monster Planet" is arguably Australia's first electronic album. Influenced by the German Cosmic Courier LPs (all of which were imported to Australia), and Braund's own time spent in the English and German underground, "Monster Planet" mixes both rock (including vocals, sax, bass, and drums) and electronik elements. The latter element proving to be the main characteristic of the album. The synthesizer was limited to strictly a Korg-700, so the possibilities were quite limited - and the album is a bit monotonous in places because of it. There are no sequencers, organ, or mellotron - just static and spacey electronics. Shortly thereafter Braund began to assemble a full arsenal of synthesizers, and thus the Cybotron legacy was born. All the same, the album has its charms, and is a good example of the pioneering 70s electronic music movement.