1973 Kosmische Musik
CD reissues: 1994 Spalax (France); 1999 Zyx; 2011 Belle Antique (Japan mini-LP)
LP reissues: 1973 PDU (Italy)
Wallenstein are not an easy band to pigeonhole. Generally lumped in with the Cosmic Joker crowd, and for good reason given various band members' participation, their albums proper are nothing of the sort. Well maybe the debut Blitzkrieg has some classic Krautrock styling (and we'll cover that at another time), but by their 3rd album Cosmic Century, the band were trying their hand at 70s English symphonic rock. So the title of the album is quite misleading, not to mention their appearance on the venerated Kosmische label. Even though one can still find the Dieter Dirks phasing tricks thrown about here and there to keep it interesting. Definitely a swell album, if not particularly groundbreaking or inspiring.
Last update: July 22, 2016
Tuesday, June 22, 2010
Monday, June 21, 2010
Iconoclasta - Suite Mexicana / Soliloquio. 1987 Discos Rosenbach
CD reissues: 1991 Art Sublime (USA - LP gatefold jacket); 1997 Sol & Deneb.
Packaging details: Both CD reissues include the "Suite Mexicana" EP. I bought the original LP from Wayside upon release. However I sold it as soon as the Art Sublime CD came out in 1991. Art Sublime was the pioneer of the LP jacket CD reissue. This is a concept that never caught on, and that's a pity. While I love the Japanese mini-LP, which is a perfect miniature of the original LP - these LP jacket reissues were the real thing, but with a specially made insert that cradled the CD. Sort of the difference between O Gauge and HO I guess. If you wanted the CD for car/portable use, you could always stick it in a slim case, or any generic sleeve. Other than close partner Syn-Phonic, no one else gave the format much notice, and the concept seems to have gone extinct. Bummer. Oh well, I'm keeping it! The Art Sublime CD also comes with a nice full sized 2 page (front and back) foldout insert, with a lengthy discussion around the LP sized jacket (in English and Spanish). Also features a beautiful black and white surreal sketching. The gatefold inner features the original cover art for Suite Mexicana as well as a brief history of the band (also in English and Spanish).
1. Mestizaje (26-A-1)
2. Revolución en 6/8
3. Cuando La Música Era Espiritual Y No Física O El Adivino Del Último Periodo De Paz
4. Solo Tu Fruto
Iconoclasta were probably Mexico's #1 progressive rock export in the 1980s and a big part of the style's revival in that country. 1) and 2) are from an EP that was released three months ahead of the LP proper, and feature traditional instruments and melodies amongst the usual rock instrumentation. I would like to call out guitarist Ricardo Ortegon, who puts in an exceptional performance on both these albums. 5) adds flute with fine results. 6) is the requisite "side long" track, and allows the instrumentalists to shine with longer solo sections, including guest saxophone. Iconoclastic has a distinct 80s compressed sound, that is all their own.
Sunday, June 20, 2010
Sandrose - s/t. 1972 Polydor. Also released in England.
CD reissues: 1988 Musea; 2003 M2U (Korea mini-LP); 2007 Belle Antique (Japan mini-LP); 2011 Lion (USA)
LP reissues: 1988 Musea; 1992 Si-Wan (Korea); 2006 Amber Soundroom (Germany)
Packaging details: Even when I started collecting progressive rock rarities in earnest in the early 1980s, Sandrose was a rare item not be found anywhere. Like many people, I was introduced to this great album via the Musea LP reissue, which I own to this day and wouldn't ever consider parting with. I did go for the Korean mini to replace the original Musea CD reissue which was a bit muffled in sound. Rest assured, all of the Sandrose reissues are licensed directly from Musea. Unfortunately the Koreans left out the critical historical booklet (though I already have it in the LP version). I'm tempted to go for the Japanese mini, as I know their attention to package detail will be sharper than the M2U label (though their version is still a very impressive job).
Tracks (* - highlights):
2. Never Good At Sayin' Good-Bye
**3. Underground Session (Chorea)
4. Old Dom Is Dead
*5. To Take Him Away
6. Summer Is Yonder
8. Fraulein Kommen Sie Schlaffen Mit Mir
Sandrose are France's best representation of the European progressive adaptation of the post Jefferson Airplane sound. For anyone who loves groups like Earth & Fire, Julian's Treatment/Julian Jay Savarin, Goliath, Room, Nattura, Analogy and a host of others then Sandrose is an obvious choice. Jean-Pierre Alarcen is absolutely sublime on guitar. Organist Henri Garella lights it up on the organ and adds more than enough mellotron to satisfy any addict of the instrument. The rhythm section is clearly schooled in jazz improvisation, while Rose Podwojny sings her heart out in a decidedly non-sweet, shrill way. 4) will test your tolerance of her style. Eleven minute 3) is not just a highlight of the album, but one of the great instrumental rock tracks of our time. I'm serious.
Saturday, June 19, 2010
Thule - Ultima Thule. 1987 private
CD reissue: 1995 Arktisk; 2006 Pan
Release details: I bought the LP from Eurock as soon as it was released and it's housed in a standard single sleeve as was common practice in the 1980s. Prices are all over the lot, but the prevailing rate seems be about 100 balloons. It's so obscure, I'm sure you could source one for under $20 if you know the right people and have the patience. The CD is an obscure press from Norway that I've never actually seen and it appears Pan reissued it again about a decade later.
Notes: I bought this when it first came out in 1987, and to say it was anachronistic at the time, would have to considered an understatement. While certainly not as retro-prog conscious as Anglagard, Thule do seem to have fallen out of a 1970s time machine. Probably the same contraption that fellow northern Norwegians' Tangle Edge fell out of near the same time. The album is comprised of two side long compositions, that flow together as one long piece (and that supposedly tells a tale of colonizing a new continent - yea, yippee yayhoo). Without a doubt, mid 70s Pink Floyd and/or "Ocean" era Eloy seem to be the primary influence here, though sung in their native tongue complete with some dark narration bits. There are some 1980s references to be found though, such as the fat digital production with wide open drum beats, as well as an occasional period synthesizer sound. The album pretty much plods along at a slow to mid tempo pace throughout, and the focus falls squarely on the dark atmosphere provided. Thule probably should have experimented a bit more with complex rhythms and dynamics to allow for a more kinetic experience. While this was never what I would consider a great album - it's not one I would be willing to part with either and, in fact, it has aged quite well.
Friday, June 18, 2010
Heldon - II: Allez-Teia. 1975 Disjuncta / Urus
CD reissues: 1992 Cuneiform (USA); 1992 Spalax; 2005 Captain Trip (Japan mini-LP); 2012 Belle Antique (Japan mini-LP)
LP reissue: 2009 Wah Wah (Spain)
Release details: I bought the original LP (on Urus) in the mid 1980s, and I still own it. Later on I picked up the Cuneiform version only to be replaced by the mini-LP on Captain Trip. These mini's were directly licensed from Cuneiform and sold through their Wayside mail order channel.
*1. In the Wake of King Fripp
*3. Omar Diop Blondin
a. Continuum Mobile
b. Disjonction Inclusive
*6. St-Mikael Samstag am Abends
7. Michel Ettori
Continuing our trek through the Heldon catalog, we enter the famed number 2. Of all the Heldon albums, this is by far the most mellow, with a proliferation of acoustic guitar calming down the proceedings just a little. The subversive feel of the debut is maintained throughout however, and anarchy seems just around the corner. Deep, heavy, thoughtful music. While heavily influenced by Robert Fripp, Professor Pinhas was trekking down an individual path, and is now considered a legend in his own right. A lot of name dropping in the track titles, something that became vogue in the 2000s, but wasn't as common in the 70s. Amongst the more obscure, 5) references Pascale Comelade, where Pinhas was featured heavily on the self-named album for the Pole label. While 7) references the sometimes Heldon guitarist. A highly regarded album and rightly so. The real underground of the 70s is featured here.
Thursday, June 17, 2010
Michel Moulinie - Chrysalide. 1978 Crypto
Reissue: None sadly. Would have been perfect for the avant minded Mio label, and I suspect it was on their radar at the time. Musea had announced their intention to reissue this as far back as the early 1990s, but apparently fell apart. Also featured on our CD Reissue Wish List blog. Like the AFT, this is an LP I bought in the mid 1980s. In fact it was brand new, as it was still available from wholesalers back then.
1. Le Ballet des Mouches
*2. Les Cordes de la Mar
*3. L'Echo de L'Acier
4. Le Philtre d'Echordus
*5. Lente Course
One man show Moulinie crafted his sole work for the Crypto label in 1978. Perfect for the time and place, Moulinie's work is similar to other like minded French underground artists such as Phillippe Besombes and Richard Pinhas. The use of acoustic guitar gives the recording a warm touch, that can be missing from the more clinical works of the era. I would guess that Moulinie was quite familiar with some of Mike Oldfield's classic works at this stage. The violin (or as it is credited "guitare violin") has a haunting, almost mellotron-like sound. On 3) and 5), Moulinie experiments with sound on sound techniques, that recall Manuel Gottsching on "Inventions For Electric Guitar". A very beautiful album, and one that has no peer in terms of sound and execution.
Wednesday, June 16, 2010
A.F.T. - Automatic Fine Tuning. 1976 Charisma
Reissue: None, and certainly one of the UK's last great albums not on CD. A perfect choice for Esoteric. This album is featured on our CD Reissue Wish List. I've owned the LP since the 1980s, back when you could find albums like this just rummaging around a used record store.
*1. The Great Panjandrum Wheel (Part One) -- in 4 parts
*3. The Great Panjandrum Wheel (Part Two) -- in 5 parts
4. Queen of the Night
It's not easy to maintain an interesting album with dual electric (no acoustic) guitars carrying the load throughout the entire recording, but that's exactly what A.F.T. manages to do. The rhythm section is no slouch, but their primary purpose is to keep the compositions moving along, rather than act as a feature. So no boring drum solos, or acrobatic meter sections are highlighted. Just dual guitars, with occasional solos. Fortunately guitarist's MacDonnell and Cross are up to the task, and provide the listener with many exciting sections, and add plenty of tonal changes to keep it interesting. The knee-jerk reaction is to compare AFT to other dual guitar acts from the UK such as Wishbone Ash and Man, but that isn't really the case at all. In fact, you have to fast forward another decade, and look towards the California group Djam Karet for any kind of relative comparison. While the feature pieces are the lengthy 1) and 3) that opens each side, the shorter track 2) is similar, and no less exciting. Track 4) sees the band try their hand at a more straightforward hard rock format, with vocals. And while pleasant, the 3+ minute track comes across as a bit of a throwaway. Otherwise a super album.
Friday, June 11, 2010
Gualberto - Vericuetos. 1976 Movieplay
CD reissues: 1994 Lost Vinyl/ Fonomusic; 1997 Fonomusic; 2003 DRO EastWest; 2004 Fonomusic
LP reissues: 197? Movieplay; 2004 DRO EastWest
Vericuetos is a Spanish progressive rock classic. Borrowing heavily from the music of India and regional Spain (Andalusia especially), Gualberto incorporates these sounds with a classic Anglo progressive rock perspective for a truly unique blend. Gualberto's guitar style is soulful and rocks hard in places. He also contributes quite a bit of sitar for this album. Plenty of violin and String Synthesizer as well. A must discovery.
The original on Movieplay is housed in a fine gatefold cover, typical of the classic Spanish scene (there's also a single sleeve cover for this one, which I sold off many years ago). I currently own this LP along with the first CD version (1994) which was a co-production of Lost Vinyl and Fonomusic. The latter is the continuation of what was formerly Movieplay. The CD is a basic jewel case with no info beyond the original LP notes. I've also owned the 1997 Fonomusic CD, which is exactly the same - including the mastering. I have not heard the last couple of reissues.
Last update: October 25, 2016